Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
In order to understand the two questions which have been propounded,
we must make a demand upon our imagination, and endeavor to return,
in thought at least, to the conditions of a people in the mythopoeic
age--the age, that is to say, in which not only were myths naturally
made, but all the thinking of a nation took the form of myths. We must
go back to a time when there were no written records, when there were
no systems of thought, when language had not been subjected to analysis
of any kind, when abstract notions were unknown, when science had
not begun to exist, when history was impossible, and when the whole
world was a land of miracles. There was no check then laid upon fancy,
because nothing as yet was conceived as thought, but everything existed
as sensation. In this infancy the nation told itself stories, and
believed in them. The same faculties of the mind which afterwards gave
birth to poetry and theology, philosophy and state-craft, science and
history, were now so ill-defined and merely germinal that they produced
but fables. Yet these faculties were vigorous and vivid. The fables
they produced were infinite in number and variety, beautiful, and so
pregnant with thought under the guise of fancy that long centuries
scarcely sufficed for disengaging all that they contained. In dealing
with Greek mythology it must be remembered that the nation with whose
mythopoeic imagination we are concerned was the Greek nation.[8] It had
already in itself all Hellas, as the seed enfolds the plant.
Public-domain text, read in full here on John Shaqi.
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