Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
After flowing side by side for many centuries, the currents of
mythological belief and of philosophical speculation reunited at
Alexandria, where a final attempt was made to animate the Homeric
Pantheon with the spirit of metaphysical mysticism. Homer became a
priest as well as poet, and the _Iliad_ was made to furnish allegories
for an age grown old in intellectual subtlety. This was the last
period of mythology. While Hypatia was lecturing on Homer, the
Christians were converting the world. To keep the gods of Greece alive
was no longer possible. Regarded from the beginning as persons with a
body corresponding to their spiritual substance, they had in them the
certainty of dissolution. Though removed ideally beyond the sphere of
human chance and change, they remained men and women with passions like
our own. Pure spirit had not been realized in them; and blind fate had
from the first been held to be supreme above them. Unlike the incarnate
God of Christianity, they had not passed forth from the spiritual world
to abide here for a season and return to it again. Therefore they
perished. During the domination of mediæval Christianity the utmost
they could do was to haunt the memory like wraiths and phantoms, to
linger in neglected and unholy places like malignant powers of evil.
But when the force of ascetic Christianity declined, and the spirit
of humane culture re-awoke in Europe, these old gods reasserted their
ascendency--no longer as divinities indeed, but as poems forming an
essential element of the imagination. The painters and sculptors of
Italy gave once more in breathing marble and fair color form to those
immortal thoughts. The poets sang the old songs of Hellas in new
language to new measures. Even the Churchmen invoked God from Roman
pulpits as _Summus Jupiter_, and dignified Madonna with the attributes
of Artemis and Pallas.
Such is the marvellous vitality of this mythology. Such is its
indissoluble connection with the art and culture which sprang from it,
of which it was the first essential phase, and to which we owe so much.
Long after it has died as religion, it lives on as poetry, retaining
its original quality, though the theology contained in it has been
forever superseded or absorbed into more spiritual creeds.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account