Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
Academy still educate the world and prepare a _nidus_ for the ethics
of Christianity; and Alexandria, where physical science is cultivated
under the Ptolemies, where mystical theology flourishes in the schools
of the Neoplatonists, where libraries are formed and the labor of
literary criticism is conducted on a gigantic scale, but where nothing
new is produced except the single, most beautiful flower of idyllic
poetry and some few epigrams. In this fifth period, Rome and Byzantium,
where the Greek spirit, still vital, overlives its natural decay upon a
foreign soil, close the scene.
In these five periods--periods of superb adolescence, early manhood,
magnificent maturity, robust old age, and senility--we can trace the
genius of the Greeks putting forth its vigor in successive works of
art and literature, concentrating its energy at first upon its own
self-culture, then extending its influence in every direction, and
controlling the education of humanity, finally contenting itself
with pondering and poring on its past, with mystical metaphysics and
pedantic criticism. Yet even in its extreme decadence the Hellenic
spirit is still potent. It still assimilates, transmutes, and
alchemizes what it works upon. Coming into contact with the new and
mightier genius of Christianity, it forces even that first-born of
the Deity to take form from itself. One dying effort of the Greek
intellect, if we may so speak, is to formulate the dogma of the
Trinity and to impress the doctrine of the Logos upon the author of
the Gospel of St. John. The analogy between the history of a race so
undisturbed in its development as the Greek, and the life of a man,
is not altogether fanciful. A man like Goethe, beautiful in soul and
body, exceedingly strong and swift and active and inquisitive in all
the movements of his spirit, first lives the life of the senses and of
physical enjoyment. His soul, "immersed in rich foreshadowings of the
world," has scarcely begun to think consciously in the first period.
But he feels the glory of existence, the strivings of inexhaustible
energy, the desire of infinite expansion. The second period is one
of _Sturm und Drang_. New things are learned: much of the beautiful
physical activity is sacrificed; he discovers that life involves care
and responsibility as well as pleasure; he concentrates his mental
faculty on hard and baffling study, in which at first he halts and
falters. Then he goes forth to the world and wins great fame, and
does the deeds and thinks the thoughts by which he shall be known to
all posterity. His physical and mental faculties are now in perfect
harmony; together they offer him the noblest and most enduring
pleasures. But after a while his productiveness begins to dwindle.
He has put forth his force, has fully expressed himself, has matured
his principles, has formed his theory of the world. Our fourth period
corresponds to the early old age of such a man's life. He now applies
Public-domain text, read in full here on John Shaqi.
Studies of the Greek Poets (Vol 1 of 2) — John Shaqi
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