Studies of Travel: GreeceFreeman, Edward A. (Edward Augustus)
History
Studies of Travel: Greece
Freeman, Edward A. (Edward Augustus)
Greece -- Description and travel
skeletons, the ornaments, to particular persons is rash. And, on the
other hand, the time is hardly come for those who take a general view
of history to commit themselves to any decided judgment as to the place
which these objects have in the history of art, or as to their relation
to objects found in other lands. It is well that the specialists
should for a little time longer have that branch of the subject in
their keeping. Some new light will doubtless be thrown on the matter
by the find which has just been made in Attica. When all these points
have been thoroughly sifted, the historian will be glad to accept the
results. As it is, it is enough for him that here are the tombs of the
Mykênaian lords of Hellas, that here are the objects which the creed of
their days deemed becoming offerings of reverence for the dead.
Besides the field which these objects open for the more direct student
of art, they open also a field of almost higher interest for the
historian of customs. The mode of disposing of the dead seems to have
been a strange kind of compromise between burning and burying. If we
rightly understand the process, the bodies were placed in the tombs;
they were then half burned; lastly the masks were placed upon them, and
the tombs were filled up with the vases and other objects. Here indeed
is work for Mr. Tylor and any other labourers in that field. The
effect of the masks is wonderful. Whether they are really likenesses or
not, we accept them as such while we look on them; we feel ourselves
brought more directly into the presence of the men of old than we are
even by the sight of the skeleton. Physically the actual bones of the
man are more truly part of himself; but we really feel brought nearer
to him as we see the thin covering which has rested on his face, and
which seems at least to profess to keep the stamp of his features. We
will not dare to call him Agamemnôn or any other name. We look at least
on what would be the likeness of one of those on whom our own Alfred
so happily bestowed the name of the Cæsars that were to be, on one
whose historic position is best brought home to us if we call him, in
Alfred’s tongue, the Bretwalda of primæval Hellas.
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