Studies of trees in winter : $b A description of the deciduous trees of northeastern AmericaHuntington, Annie Oakes
Science
Studies of trees in winter : $b A description of the deciduous trees of northeastern America
Huntington, Annie Oakes
Trees -- North America; Trees in winter
The inner structure of these dicotyledonous trunks is seen when we
examine the cross section cut of a felled tree. In the centre is the
heartwood, the durable wood of commercial value, the cells of which
are hard and dry; next it the soft sapwood, the living part of the
tree containing cells filled with sap; then the cambium layer, the
zone of growing cells, and outside of this the bark. Each year new
cells are formed in the cambium layer, the inner ones making new wood,
the outer ones new bark, and by counting these annual rings of growth
the approximate age of the tree is found. In young trees there is
a conspicuous central portion of pith which remains after the tree
matures, as long as the heartwood is sound. The lines radiating from
the centre to the circumference are called medullary or pith rays
and form the “silver grain” of the wood. As the size of the trunk
increases, the bark unable to expand, cracks in fissures or peels in
layers, and is pushed off by the tremendous growing power from within.
The heartwood is not a living part of the structure and often trees
live for years without it,—hollow shells with a normal amount of
vitality so long as the roots, the cambium layer and the buds are not
injured.
Branches grow from the axillary or lateral buds on the stem, continuing
their growth every year by the development and unfolding of new buds,
both terminal and lateral. When the growth is carried on by the
terminal buds, the tree is more apt to be regular in outline than
when these are injured or killed and lateral buds develop the growth
instead. Branches vary in showing an upright, drooping, or horizontal
habit of growth, as we see them in the Lombardy poplar, weeping willow
and tupelo, and within these divisions there are other contrasts of
rigidity and flexibility, with differences of color and texture as well.
Public-domain text, read in full here on John Shaqi.
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