The poems of Homer never can be put in competition with the Sacred Writings of the Old Testament, as regards the one invaluable code of Truth and Hope that was contained in them. But while the Jewish records exhibit to us the link between man and the other world in the earliest times, the poems of Homer show us the being, of whom God was pleased to be thus mindful, in the free unsuspecting play of his actual nature. The patriarchal and Jewish dispensations created, and sustained through Divine interposition, a state of things essentially special and exceptional: but here first we see our kind set to work out for itself, under the lights which common life and experience supplied, the deep problem of his destiny. Nor is there, perhaps, any more solemn and melancholy lesson, than that which is to be learned from its continual downward course. If these words amount to a begging of the question, at least, it is most important for us to know whether the course was continually downwards; whether, as man enlarged his powers and his resources, he came nearer to, or went farther from his happiness and his perfection. Now, this inquiry cannot, for Europe and Christendom at least, be satisfactorily conducted, except in commencing from the basis which the Homeric poems supply. As regards the great Roman people, we know nothing of them, which is at once archaic and veracious. As regards the Greeks, it is Homer that furnishes the point of origin from which all distances are to be measured. When the historic period began, Greece was already near its intellectual middle-age. Little can be learned of the relative movements of our moral and our mental nature severally, from matching one portion of that period with another, in comparison with what we may gather from bringing into neighbourhood and contrast the pristine and youthful Greece of Homer on the one hand, and, on the other, the developed and finished Greece of the age of the tragedians or the orators. The Mosaic books, and the other historical books of the Old Testament, are not intended to present, and do not present, a picture of human society, or of our nature drawn at large. Their aim is to exhibit it in one master-relation, and to do this with effect, they do it, to a great extent, exclusively. The Homeric materials for exhibiting that relation are different in kind as well as in degree: but as they paint, and paint to the very life, the whole range of our nature, and the entire circle of human action and experience, at an epoch much more nearly analogous to the patriarchal time than to any later age, the poems of Homer may be viewed, in the philosophy of human nature, as the complement of the earliest portion of the Sacred Records.