The species of deification, implied in earth-worship, scarcely lifted the objects of it in any degree out of the sphere of purely material conceptions. Thus, while Scamander, from his superior power, is no more than Nature put in action, all the other Rivers of Troas exhibit to us Nature purely passive, a blind instrument in the hand of deity. The total silence and inaction of Simois[324], after the appeal of Scamander, makes his impersonality more conspicuous, than if he had not been addressed. Again, when the Greeks have quitted the country, Apollo takes up the streams of the eight rivers that descend from Ida, including great Scamander, like so many firemen’s hose, and turns them upon the rampart to destroy it. We have no example in Homer of this mechanical mode of handling Greek rivers. [324] Il. xxi. 308. The distinction of treatment seems to be due to a difference in the mythology of the two countries as its probable source. And I find an analogous method of proceeding with reference to the Winds. In the Iliad they are deities, addressed in prayer, and capable of receiving offerings. In the Odyssey they are mere senseless instruments of nature, under the control of Æolus. But then in the Iliad Homer deals with them for a Greek purpose (for I do not except the impersonation of Boreas, Il. xx. 203, where the Dardanid family is concerned): it is Achilles who prays to them: it is the Greek war-horse that they beget. In the Odyssey he introduces them amidst a system of foreign, that is to say, of Phœnician traditions. Turning now to other objects, let us next see whether further inquiry will confirm the suggestions, which I have founded on the cases of Gaia and of Scamander. At the head of Scamander are two fountains, and hard by them are the cisterns, which the women of the city frequent for washing clothes. Thus the spot is one of great notoriety; yet there is not a word of any deity connected with these fountains. This is in remarkable contrast with what we meet in Homer’s Greek topography. Ulysses[325], immediately on being aware that he has been disembarked in Ithaca, prays to the Nymphs of the grotto, which was dedicated to them. There they had their bowls and vases, and their distaffs of stone, with which they spun yarn of sea-purple[326]. And the harbour, in which he was landed, was the harbour of Phorcys, the old man of the sea[327]. So again at the fountain, where the people of the town drew water, there was an altar of the Nymphs that presided over it, upon which all the passers-by habitually made offerings[328]. Nor could this be wonderful, as all groves, all fountains, all meadows, and probably all mountains, had their proper indwelling Nymphs according to the Greek mythology; while the Rivers were impersonated as deities, and the sea too teemed at every point with preternatural life. [325] Od. xiii. 356. [326] Od. xiii. 103. [327] Ibid. 96. [328] Od. xvii. 208-11. ~_Trojan impersonations from Nature rare._~