Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
Homer has named many, besides Scamander, of the rivers of Mount
Ida; but to none, not even to Simois, nor again to Ida or Gargarus
themselves, does he assign any of these local inhabitants.
There are, however, three curious cases of Nymphs assigned by him
to Troas. The νύμφη νηῒς, called Abarbaree, bears two sons to
Bucolion[329], a spurious child of Laomedon; and another nymph of
the same class bears Satnius to Enops[330]. A third similar case is
recorded in the Twentieth Book[331]. These would appear to be simple
cases of spurious births, and to have no proper connection with
mythology. For the mother of Satnius is called ἀμύμων; a name never
applied by Homer to the Immortals. If, however, the Nymphs be deities,
they mark another difference between Greece and Troy: for Homer never
attributes lusts to the Nymphs of the Greek Olympus.
[329] Il. vi. 21.
[330] Il. xiv. 444.
[331] Il. xx. 384.
Amidst the whole detail of the Iliad, in one instance only have we
Trojan Nymphs conceived after the Greek fashion: it is when those of
the mountains, according to the speech of Andromache, planted elms
round about the fresh-made tomb of her father Eetion.
As a general rule, no Trojan refers in speech either to any legend,
or to any intermediate order, of supernatural beings. Destiny, named
by Hecuba, is, as we have seen, a metaphysical idea, rather than a
person[332].
[332] Il. xxii. 435. xxiv. 209.
The very name of Olympus itself is a symbol of nationality; and around
it are grouped the forms, which either the popular belief, or the
imagination of the Poet, incorporated into the company of objects
for worship. They form a body wonderfully brilliant and diversified.
They pervade the Greek mind in such a way, as to appear alike in its
didactic, and its most deeply pathetic moods. The speech of Phœnix
gives us the Parable of Ἄτη and the Λιταί: then the episode of
Meleager, which is founded on the wrath of Diana: but into this legend
itself, inserted into the speech, is again interpolated the separate
legend of Apollo and Alcyone[333]. The speech of Agamemnon, in the
Nineteenth Book, affords us another example[334]. The case is the same
in the most pathetic strains. Achilles, in the interview with Priam,
exhorts him to take food by the example of Niobe, and appends her
tale[335]: Penelope, praying to Diana in the extremity of her grief,
recites the tale of the daughters of Pandareus[336]. Even the Suitor
Antinous points his address to Ulysses with the semi-divine legend of
the Centaurs and Lapithæ[337]. Everywhere, and from all the receptacles
of thought, mythology overflows. But in Troy the case is quite
different. There the human mind never seems to resort to it, either
for food or in sport. We find deities, priests, prophets, ceremonial,
all apparently in abundance: in all of these, except the first, the
Greeks are much poorer; but each of them, in and for himself, is in
contact with an entire supernatural world, the creation of luxuriant
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