Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.Gladstone, W. E. (William Ewart)
Philosophy
Studies on Homer and the Homeric Age, Vol. 3 of 3: I. Agorè: Polities of the Homeric Age. II. Ilios: Trojans and Greeks Compared. III. Thalassa: The Outer Geography. IV. Aoidos: Some Points of the Poetry of Homer.
Gladstone, W. E. (William Ewart)
Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer
The Greek States of the historic ages, says Grote, always present
to us something in the nature of a constitution, as the condition
of popular respect towards the government, and of the sense of an
obligation to obey it[4]. The man who broke down this constitution,
however wisely he might exercise his ill gotten power, was branded by
the name of τύραννος, or despot, “as an object of mingled fear and
dislike.” But in the heroic age there is no system, still less any
responsibility[5]: obedience depends on personal reverence towards the
king or chief. Into those ‘great individual personalities, the race
or nation is absorbed[6].’ Publicity indeed, through the means of the
council and assembly, essentially pervades the whole system[7]; but it
is a publicity without consequences; for the people, when they have
heard, simply obey the orders of the king[8]. Either resistance or
criticism is generally exhibited as odious, and is never heard of at
all except from those who are at the least subaltern chiefs: though
the council and assembly would in practice come to be restraints
upon the king, they are not so exhibited in Homer[9], but are simple
_media_ for supplying him with information, and for promulgating his
resolves[10]. The people may listen and sympathize, but no more. In the
assembly of the Second Iliad, a ‘repulsive picture’ is presented to us
of ‘the degradation of the mass of the people before the chiefs[11].’
For because the common soldiery, in conformity with the ‘unaccountable
fancy’ which Agamemnon had propounded, made ready to go home, Ulysses
belabours them with blows and covers them with scornful reproofs[12];
and the unpopularity of a presumptuous critic, even when he is in
substance right, is shown, partly by the strokes that Ulysses inflicts
upon Thersites, but still more by the hideous deformities with which
Homer has loaded him.
[4] Grote’s Hist. Greece, vol. ii. p. 83.
[5] Ibid. p. 84.
[6] Ibid. p. 102.
[7] Ibid. p. 101.
[8] Ibid. p. 86.
[9] Ibid. pp. 90, 102.
[10] Ibid. p. 92.
[11] Ibid. p. 95.
[12] Grote’s Hist. Greece, vol. ii. pp. 94, 96.
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