A certain appreciation, however, of the real value of a good plaster-cast has been gaining among us of late years, and many public schools, especially in the large cities, have been establishing standards of good taste in this respect. Good casts and bas-relief, decorate their halls and class-rooms. There are few homes that cannot afford to follow their example. But in buying these things be not misled by sales and advertised bargains. It is more than seldom that the placques, casts, and vases thus obtained are such as could have any valuable influence whatever upon the young lives with which they are brought in contact. Meretricious and showy ornaments, designed to look as if they cost more than they really do, have no business in the sincere home where the children are being sincerely educated. [Sidenote: Music] The same general laws apply to music. No art has a greater and more insinuating influence. The very songs with which the mother sings the baby to sleep have an occult influence which is later revealed and made plain. Such songs, then, should be simple. They may be nothing but improvisations, the mother's mind and heart making music, but they should not be melodramatic songs of the music-hall order. No such mawkish sentimentalism as that shown in "The Gypsy's Warning," for example, or other songs which belong to the cheap theater should have a place in the holy of holies--that inmost self of the child--which responds to music. The simple folk-songs of all nations, Eleanor Smith's and most of Mrs. Gaynor's songs, already mentioned, and the songs collected by Reinecke, called "Fifty Children's Songs," are excellent for this purpose. The old-fashioned nonsense songs, such as "Billy Boy," "Mary had a Little Lamb" and "Hey Diddle Diddle, the Cat and the Fiddle," may also have a pleasant and harmless place of their own. Instrumental music should be on the same general order, not loud and showy, but clear, simple, sweet, and free from startling effects. Dashing pieces, rag-time pieces, marches, two-steps, and familiar tunes with variations, instead of bringing about a spirit of gentleness and harmony, actually tend to produce self-assertiveness and quarrelsomeness. Let any mother who does not believe this try the effort of an hour of the one kind of music on one evening, and an hour of the other kind on another evening. The difference will be immediately apparent. [Sidenote: The Drama]