Domestic fiction; Short stories; Suburban life -- Fiction
There was a large tent on the grounds for dramatical entertainments,
with six performances a day, into which I was lured by a profusion of
high-colored posters, and some such announcement, as that the beautiful
serio-comic danseuse and world-renowned cloggist, Mile. Brown, would
appear. About a dozen people were assembled within, and we waited a
half-hour beyond the time announced for the curtain to rise, during
which the spectacle of a young man in black broadcloth, eating a
cocoa-nut with his pen-knife, had a strange and painful fascination. At
the end of this half-hour, our number was increased to eighteen, when
the orchestra appeared,--a snare-drummer and two buglers. These took
their place at the back of the tent; the buglers, who were Germans, blew
seriously and industriously at their horns; but the native-born citizen,
who played the drum, beat it very much at random, and in the mean time
smoked a cigar, while his humorous friend kept time upon his shoulders
by striking him there with a cane. How long this might have lasted, I
cannot tell; but, after another delay, I suddenly bethought me whether
it were not better not to see Mile. Brown, after all? I rose, and
stole softly out behind the rhythmic back of the drummer; and the
world-renowned cloggist is to me at this moment only a beautiful
dream,--an airy shape fashioned upon a hint supplied by the engraver of
the posters.
What, then, did the public desire, if it would not smile upon the
swings, or monsters, or dramatic amusements that had pleased so long?
Was the music, as it floated out from the Coliseum, a sufficient
delight? Or did the crowd, averse to the shows provided for it, crave
something higher and more intellectual,--like, for example, a course
of the Lowell Lectures? Its general expression had changed: it had no
longer that entire gayety of the first day, but had taken on something
of the sarcastic pathos with which we Americans bear most oppressive and
fatiguing things as a good joke. The dust was blown about in clouds; and
here and there, sitting upon the vacant steps that led up and down
among the booths, were dejected and motionless men and women, passively
gathering dust, and apparently awaiting burial under the accumulating
sand,--the mute, melancholy sphinxes of the Jubilee, with their unsolved
riddle, “Why did we come?” At intervals, the heavens shook out fierce,
sudden showers of rain, that scattered the surging masses, and sent them
flying impotently hither and thither for shelter where no shelter was,
only to gather again, and move aimlessly and comfortlessly to and fro,
like a lost child.
So the multitude roared within and without the Coliseum as I turned
homeward; and yet I found it wandering with weary feet through the
Garden, and the Common, and all the streets, and it dragged its
innumerable aching legs with me to the railroad station, and, entering
the train, stood up on them,--having paid for the tickets with which the
companies professed to sell seats.
Public-domain text, read in full here on John Shaqi.
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