This was the black and white of the man's story. I lose the color and atmosphere which his manner as well as his words bestowed upon it. He told it in a cheerful, impersonal kind of way as the romance of a poor devil which had interested him, and might possibly amuse me, leaving out no touch of character in his portrait of the fat, selfish master,--yielding enough, however, but for his grasping wife, who, with all her avarice and greed, he yet confessed to be very handsome. By the wave of a hand he housed them in a tropic residence, dim, cool, close shut, kept by servants in white linen moving with mute slippered feet over stone floors; and by another gesture he indicated the fierce thorny growths of the forest in which he hunted those vivid insects,--the luxuriant savannas, the gigantic ferns and palms, the hush and shining desolation, the presence of the invisible fever and death. There was a touch, too, of inexpressible sadness in his half-ignorant mention of the exiles at Cayenne, who were forbidden the wide ocean of escape about them by those swift gunboats keeping their coasts and swooping down upon every craft that left the shore. He himself had seen one such capture, and he made me see it, and the mortal despair of the fugitives, standing upright in their boat with the idle oars in their unconscious hands, while the corvette swept toward them. For all his misfortunes, he was not cast down. He had that lightness of temper which seems proper to most northern Italians, whereas those from the south are usually dark-mooded, sad-faced men. Nothing surpasses for unstudied misanthropy of expression the visages of different Neapolitan harpers who have visited us; but they have some right to their dejected countenances as being of a yet half-civilized stock, and as real artists and men of genius. Nearly all wandering violinists, as well as harpers, are of their race, and they are of every age, from that of mere children to men in their prime. They are very rarely old, as many of the organ-grinders are; they are not so handsome as the Italians of the north, though they have invariably fine eyes. They arrive in twos and threes; the violinist briefly tunes his fiddle, and the harper unslings his instrument, and, with faces of profound gloom, they go through their repertory,--pieces from the great composers, airs from the opera, not unmingled with such efforts of Anglo-Saxon genius as Champagne Charley and Captain Jenks of the Horse Marines, which, like the language of Shakespeare and Milton, hold us and our English cousins in tender bonds of mutual affection. Beyond the fact that they come “dal Basilicat',” or “dal Principat',” one gets very little out of these Neapolitans, though I dare say they are not so surly at heart as they look. Money does not brighten them to the eye, but yet it touches them, and they are good in playing or leaving off to him that pays. Long time two of them stood