Domestic fiction; Short stories; Suburban life -- Fiction
The season has advanced rapidly during my progress from Dublin to the
Avenue; and by the time I reach the famous old tavern, not far from the
station, it is a Sunday morning of early summer, and the yellow sunlight
falls upon a body of good comrades who are grooming a marvelous
number of piebald steeds about the stable-doors. By token of these
beasts--which always look so much more like works of art than of
nature--I know that there is to be a circus somewhere very soon; and the
gay bills pasted all over the stable-front tell me that there are to be
two performances at the Port on the morrow. The grooms talk nothing and
joke nothing but horse at their labor; and their life seems such a low,
ignorant, happy life, that the secret nomad lurking in every respectable
and stationary personality stirs within me and struggles to strike hands
of fellowship with them. They lead a sort of pastoral existence in
our age of railroads; they wander over the continent with their great
caravan, and everywhere pursue the summer from South to North and from
North to South again; in the mild forenoons they groom their herds,
and in the afternoons they doze under their wagons, indifferent to
the tumult of the crowd within and without the mighty canvas near
them,--doze face downwards on the bruised, sweet-smelling grass; and
in the starry midnight rise and strike their tents, and set forth again
over the still country roads, to take the next village on the morrow
with the blaze and splendor of their “Grand Entree.” The triumphal
chariot in which the musicians are borne at the head of the procession
is composed, as I perceive by the bills, of four colossal gilt swans,
set tail to tail, with lifted wings and curving necks; but the chariot,
as I behold it beside the stable, is mysteriously draped in white
canvas, through which its gilding glitters only here and there. And does
it move thus shrouded in the company's wanderings from place to place,
and is the precious spottiness of the piebalds then hidden under envious
drapery? O happy grooms,--not clean as to shirts, nor especially neat in
your conversation, but displaying a Wealth of art in India-ink upon
your manly chests and the swelling muscles of your arms, and speaking
in every movement your freedom from all conventional gyves and shackles,
_“seid umschlungen!”_--in spirit; for the rest, you are rather too damp,
and seem to have applied your sudsy sponges too impartially to your
own trousers and the horses' legs to receive an actual embrace from a
_dilettante_ vagabond.
Public-domain text, read in full here on John Shaqi.
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