They are empty now; and I wonder how came they here? How came the show-case of Dr. Merrifield, Surgeon-Chiropodist here? How came here yon Italian painting?--a poor, silly, little affected Madonna, simpering at me from her dingy gilt frame till I buy her, a great bargain, at a dollar. From what country church or family oratory, in what revolution, or stress of private fortunes,--then from what various cabinets of antiquities, in what dear Vicenza, or Ferrara, or Mantua, earnest thou, O Madonna? Whose likeness are you, poor girl, with your everyday prettiness of brows and chin, and your Raphaelesque crick in the neck? I think I know a part of your story. You were once the property of that ruined advocate, whose sensibilities would sometimes consent that a _valet de place_ of uncommon delicacy should bring to his ancestral palace some singularly meritorious foreigner desirous of purchasing from his rare collection,--a collection of rubbish scarcely to be equaled elsewhere in Italy. You hung in that family-room, reached after passage through stately vestibules and grand stairways; and O, I would be cheated to the bone, if only I might look out again from some such windows as were there, upon some such damp, mouldy, broken-statued, ruinous, enchanted garden as lay below! In that room sat the advocate's mother and hunchback sister, with their smoky _scaldini_ and their snuffy priest; and there the wife of the foreigner, self-elected the taste of his party, inflicted the pang courted by the advocate, and asked if you were for sale. And then the ruined advocate clasped his hands, rubbed them, set his head heart-brokenly on one side, took you down, heaved a sigh, shrugged his shoulders, and sold you--you! a family heirloom! Well, at least you are old, and you represent to me acres of dim, religious canvas in that beloved land; and here is the dollar now asked for you: I could not have bought you for so little at home. The Madonna is neighbored by several paintings, if the kind called Grecian for a reason never revealed by the inventor of an art as old as potichomanie itself. It was an art by which ordinary lithographs were given a ghastly transparency, and a tone as disagreeable as chromos; and I doubt if it could have been known to the Greeks in their best age. But I remember very well when it passed over whole neighborhoods in some parts of this country, wasting the time of many young women, and disfiguring parlor walls with the fruit of their accomplishment. It was always taught by Professors, a class of learned young men who acquired their title by abandoning the plough and anvil, and, in a suit of ready-made clothing, travelling about the country with portfolios under their arms. It was an experience to make loafers for life of them: and I fancy the girls who learnt their art never afterwards made so good butter and cheese. “Non-ragioniam di lor, ma guarda e passa.”