When, however, you turned your thoughts and eyes away from this aspect of it, and looked out upon the water, the neighborhood gloriously retrieved itself. There its poverty and vulgarity ceased; there its beauty and grace abounded. A light breeze ruffled the face of the bay, and the innumerable little sail-boats that dotted it took the sun and wind upon their wings, which they dipped almost into the sparkle of the water, and flew lightly hither and thither like gulls that loved the brine too well to rise wholly from it; larger ships, farther or nearer, puffed or shrank their sails as they came and went on the errands of commerce, but always moved as if bent upon some dreamy affair of pleasure; the steamboats that shot vehemently across their tranquil courses seemed only gayer and vivider visions, but not more substantial; yonder, a black sea-going steamer passed out between the far-off islands, and at last left in the sky above those reveries of fortification, a whiff of sombre smoke, dark and unreal as a memory of battle; to the right, on some line of railroad, long-plumed trains arrived and departed like pictures passed through the slide of a magic-lantern; even a pile-driver, at work in the same direction, seemed to have no malice in the blows which, after a loud clucking, it dealt the pile, and one understood that it was mere conventional violence like that of a Punch to his baby. “Why, what a lotus-eating life this is!” said Frank, at last. “Aunt Melissa, I don't wonder you think it's like the seaside. It's a great deal better than the seaside. And now, just as we've entered into the spirit of it, the time's up for the 'Rose Standish' to come and bear us from its delights. When will the boat be in?” he asked of the Autobiographer, whom Lucy had pointed out to him. “Well, she's _ben_ in half an hour, now. There she lays, just outside the 'John Romer.'” There, to be sure, she lay, and those pleasure-takers had been so lost in the rapture of waiting and the beauty of the scene as never to have noticed her arrival. II--THE AFTERNOON