"Patchwork and imagination," returned the other wearily. "That's what I
get special rates for. Now, if I'd had your chance, right there on the
spot, with the whole stage-setting around one--Lordy! How a fellow could
write that!"
"Not so easy," murmured the agent. "You get confused. It's a sort of
blur, and when you come to put it down, little things that aren't really
important come up to the surface--"
"Put it down?" queried the other with a quick look. "Oh, I see. Your
report for the company."
"Well, I wasn't thinking of that."
"Do you write other things?" asked the reporter carelessly.
"Oh, just foolery." The tone invited--at least it did not
discourage--further inquiry. Mr. Gardner was bored. Amateurs who
"occasionally write" were the bane of him who, having a signature of his
own in the leading local paper, represented to the aspiring mind the
gilded and lofty peaks of the unattainable. However he must play this
youth as a source of material.
"Ever try for the papers?"
"Not yet. I've thought maybe I might get a chance sometime as a sort of
local correspondent around here," was the diffident reply.
Gardner repressed a grin. Manzanita would hardly qualify as a news
center. Diplomacy prompted him to state vaguely that there was always a
chance for good stuff locally.
"On a big story like this," he added, "of course there'd be nothing
doing except for the special man sent out to cover it."
"No. Well, I didn't write my--what I wrote, with any idea of getting it
printed."
The newspaper man sighed wearily, sighed like a child and lied like a
man of duty. "I'd like to see it."
Without a trace of hesitation or self-consciousness Banneker said, "All
right," and, taking his composition from its docket, motioned the other
to the light. Mr. Gardner finished and turned the first sheet before
making any observation. Then he bent a queer look upon Banneker and
grunted:
"What do you call this stuff, anyway?"
"Just putting down what I saw."
Gardner read on. "What about this, about a Pullman sleeper 'elegant as a
hotel bar and rigid as a church pew'? Where do you get that?"
Banneker looked startled. "I don't know. It just struck me that is the
way a Pullman is."
"Well, it is," admitted the visitor, and continued to read. "And this
guy with the smashed finger that kept threatening to 'soom'; is that
right?"
"Of course it's right. You don't think I'd make it up! That reminds me
of something." And he entered a memo to see the litigious-minded
complainant again, for these are the cases which often turn up in the
courts with claims for fifty-thousand-dollar damages and heartrending
details of all-but-mortal internal injuries.
Silence held the reader until he had concluded the seventh and last
sheet. Not looking at Banneker, he said:
"So that's your notion of reporting the wreck of the swellest train that
crosses the continent, is it?"
"It doesn't pretend to be a report," disclaimed the writer. "It's pretty
bad, is it?"
Public-domain text, read in full here on John Shaqi.
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