Another set of small sounds characteristic of midsummer is the
twittering of the flocking swallows in the cornfields and upon the
telegraph-wires. This summer I have had long lines of the young birds
and their parents from the old barn below the hill strung on the wires
from the house across the lawn. Here they preen while some of the old
birds hawk for flies, the whole line of them breaking into a soft
little twitter each time a newcomer alights among them. One swallow
does not make a summer, but your electric light wires sagging with
them is the very soul of the summer.
VII
In the deep, still woods you will hear the soft call of the robin--a
low, pensive, plaintive note unlike its spring cry or the
after-shower song. It is as if the voice of the slumberous woods were
speaking--without alarm, reproach, or welcome either. It is an
invitation to stretch yourself on the deep moss and let the warm
shadows of the summer woods steal over you with sleep.
[Illustration: THE RED-EYED VIREO]
And this, too, is a thing to learn. Doing something, hearing
something, seeing something by no means exhausts our whole business
with the out-of-doors. To lie down and do nothing, to be able to keep
silence and to rest on the great whirling globe is as needful as to
know everything going on about us.
VIII
There is one bird-song so characteristic of midsummer that I think
every lover of the woods must know it: the oft-repeated, the constant
notes of the red-eyed vireo or “preacher.” Wilson Flagg says of him:
“He takes the part of a deliberative orator who explains his subject
in a few words and then makes a pause for his hearers to reflect upon
it. We might suppose him to be repeating moderately with a pause
between each sentence, ‘You see it--you know it--do you hear me?--do
you believe it?’ All these strains are delivered with a rising
inflection at the close, and with a pause, as if waiting for an
answer.”
IX
A few other bird-notes that are associated with hot days and stirless
woods, and that will be worth your hearing are the tree-top song of
the scarlet tanager. He is one of the summer sights, a dash of the
burning tropics is his brilliant scarlet and jet black, and his song
is a loud, hoarse, rhythmical carol that has the flame of his feathers
in it and the blaze of the sun. You will know it from the cool, liquid
song of the robin both by its peculiar quality and because it is a
short song, and soon ended, not of indefinite length like the robin’s.
Then the peculiar, coppery, reverberating, or _confined_ song of the
indigo bunting--as if the bird were singing inside some great kettle.
One more--among a few others--the softly falling, round, small,
upward-swinging call of the wood pewee. Is it sad? Yes, sad. But
sweeter than sad,--restful, cooling, and inexpressibly gentle. All day
long from high above your head and usually quite out of view, the
voice--it seems hardly a voice--breaks the long silence of the summer
woods.
X
Public-domain text, read in full here on John Shaqi.
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