French fiction -- 20th century -- Translations into English
During these very days Marc's young heart was aflame with love and
poetry. He had fallen madly in love with Noémi. It was one of those
childish loves that are so absurd and all-consuming. He hardly knew what
he wanted of this woman: was it to see her, feel her, touch her, taste
her? Of course, he never dreamed of what possession meant: he was the
possessed one. Marc almost fainted when he touched the little hand that
Noémi held out to him, touched it with his lips and the tip of his
nose, the greedy puppy's nose that inhaled, in the frail flower of the
wrist, the intoxicating mystery of the feminine body. For him she was a
living fruit and flower. He was dying with desire to implant his teeth
in it--very gently--dying of terror lest he might yield. Once--oh,
shame!--he did yield. . . . What was going to happen? Red and trembling,
he expected the worst: public humiliation, indignant words, an
ignominious dismissal. But she burst out laughing, called him "puppy,"
boxed his ear, rubbed his nose once, twice, three times, over the spot
he had bitten, saying, "Beg my pardon, little wretch!"
From that moment she had amused herself playing with the young animal.
She meant no harm, she meant no good. She enjoyed exciting the young
lover. For her it was a matter of no moment. She never suspected how
serious it might be for the boy. But for him (for him who, in spite of
appearances, was the true child of Annette) it was tragic.
Since the first time he had seen her, she had been for him the forbidden
Paradise, that marvellous mirage, woman, which appears before the
awakening glance of an innocent child. The fascinating image is shaped
as much from what exists as from what does not exist, as much from what
he sees as from what he does not see, what he does not know, what he
fears and desires, what he wants and what he does not want, the
terrifying attraction that thrills the adolescent body at the ecstatic,
brutal appeal of nature. As for Noémi's features, he probably did not
see one of them just as it was. But each of her features and each of her
movements, the folds of her dress, the curls of her hair, her voice, her
perfume, and the gleam of her eyes, everything stirred in his hungry
heart and body the wild, leaping waves of joy and hope, cries of
happiness, the need of tears.
Public-domain text, read in full here on John Shaqi.
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