What she did was to transport the twigs in two bundles to the top of
the cupboard, where she left them with the princess. Then she came back
and began to lay out a thin thread of white sand on the dark, polished
surface of the table.
Mel pulled up his armchair, poured himself a glass of brandy, lit a
cigarette, and settled down to watch her.
* * * * *
By the time Miss Green indicated to him that she wanted the light
turned out again, he had finished his second drink and was feeling
rather benevolent. She had used up all her sand, and about a square
foot of the table's surface was covered now with a confusingly
intricate maze of lines, into which she had placed white pebbles here
and there. Some of the lines, Mel noticed, blended into each other,
while others stopped abruptly or curved back on themselves. As a
decorative scheme, it hardly seemed worthwhile.
"Miss Green," he told her thoughtfully, "I hope it makes sense to you.
It doesn't to me."
She piped imperiously, pointing: the light! Mel had a moment of
annoyance at the way she was ordering him around in his own apartment.
"Well," he said, "I'll humor you this time."
For a moment after he had pulled the switch, he stood beside the table
to let his eyes adjust to the dark. However, they weren't adjusting
properly--a patch of unquiet phosphorescent glimmering floated
disturbingly within his field of vision, and as the seconds passed, it
seemed to be growing stronger.
Suddenly, Mel swore in amazement and bent down to examine the table.
"Now what have you done--?" he began.
Miss Green fluted soothingly at him from the dark and fluttered up to
his shoulder. He felt a cool touch against his ear and cheek, and a
burst of oddly pleasant tinglings ran over his scalp.
"Stop that!" he said, startled.
Miss Green fluted again, urgently. She was trying to tell him something
now, and suddenly he thought he understood.
"All right," he said. "I'll look at it. That's what you want me to do,
isn't it?"
Miss Green flew down to the table again, which indicated agreement.
Mel groped himself back into the chair and leaned forward to study the
curiously glowing design she had created of sand and pebbles.
He discovered immediately that any attempt to see it clearly merely
strained his vision. Details turned into vaguely distorted, luminous
flickerings when he stared at them, and the whole pale, spidery pattern
made no more sense than it had with the light on. She must have some
purpose in mind with it, but Mel couldn't imagine what.
Meanwhile, Miss Green was making minor adjustments in his position
which Mel accepted without argument, since she seemed to know what she
was doing. Small tugs and pushes told him she wanted his hands placed
on the table to either side of the design. Mel put them there. His
head was to be tilted forward just so. He obliged her again. Then she
was back on the table, and the top two-thirds of the pattern vanished
suddenly behind a blur.
Public-domain text, read in full here on John Shaqi.
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