Sun, Sand and Somals: Leaves from the note-book of a District Commissioner in British SomalilandRayne, Henry A.
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Sun, Sand and Somals: Leaves from the note-book of a District Commissioner in British Somaliland
Rayne, Henry A.
British Somaliland
"Just one more dance," said the Ughaz as he waved the line back.
It retired and various other people came before it to dance--quite
well too. A number of women had collected behind the men. I could
see them kneeling to look between the latter's legs at me. Soon
after _the_ dancer came out, when the women forgot to look at me,
so interested were they in him. Up and down he pirouetted, juggling
with his spear and shield. He rushed madly forward, stopped with
a jerk, bent his body back to such an extent that it appeared as
though his back-bone must snap, and I was really quite concerned.
The dancer is supposed to be dying; his long black hair covers his
face; it is suddenly brushed aside to show him in convulsions;
his body writhes like a snake's; he is dying hard. A man runs out
with drawn dagger in hand to finish the business. A tall fellow
this. Straddling the body of the dying man he cuts his throat--in
pantomime. The performance is sufficiently realistic to make my
blood curdle, and I am relieved when it ends.
[Illustration: A SOMAL DANCE.]
There is a great gathering of people here. I have met a man who has
just killed his own brother. A rascal, this latter, who, until a few
weeks since, lived on the Abyssinian border, where he was able to
raid and loot with impunity. His brother--this man whom I have just
met--went out with his father to look for the robber, for they were
tired of his escapades. They came upon him in Abyssinian territory,
and as he showed fight the man now before me slashed him on the
back of the neck with his dagger. The robber fell to the ground;
the horror-stricken father rushed to the side of his fallen son,
who, with his last breath, plunged his dagger in the old man's side.
Such an incident excites no comment on this wild Somali-Abyssinian
border, near which our camp now stands.
Up to now we have come due South except when wandering through the
hills, and our road onward lies across sixty miles of plateau. The
rains are here and the country is green. There is much that would
tempt the artist to loiter with pencil or brush. That river bank,
for instance, lined with trees. Beyond those trees are smaller
trees, and shrubs covered with leaves. Aloes throw up miniature
poles bedizened with red flowers. Beyond again, open ground, showing
yellow through the patches of green grass. Over there a Gadabursi
or a Habr Awwal village, for here many natives have taken to growing
jowari, and, after the manner of agriculturists, herd together. Near
the village deep green leafless plants that point a thousand fingers
at the sky, so blue overhead. What a beautiful picture it would all
make!
Public-domain text, read in full here on John Shaqi.
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