From blemishes of this nature, at least, I believe that the present translation is free. It was not undertaken out of any inflated estimate of my own powers; but I could not help feeling that Sun Tzŭ deserved a better fate than had befallen him, and I knew that, at any rate, I could hardly fail to improve on the work of my predecessors. Towards the end of 1908, a new and revised edition of Capt. Calthrop’s translation was published in London, this time, however, without any allusion to his Japanese collaborators. My first three chapters were then already in the printer’s hands, so that the criticisms of Capt. Calthrop therein contained must be understood as referring to his earlier edition. In the subsequent chapters I have of course transferred my attention to the second edition. This is on the whole an improvement on the other, though there still remains much that cannot pass muster. Some of the grosser blunders have been rectified and lacunae filled up, but on the other hand a certain number of new mistakes appear. The very first sentence of the introduction is startlingly inaccurate; and later on, while mention is made of “an army of Japanese commentators” on Sun Tzŭ (who are these, by the way?), not a word is vouchsafed about the Chinese commentators, who nevertheless, I venture to assert, form a much more numerous and infinitely more important “army.” A few special features of the present volume may now be noticed. In the first place, the text has been cut up into numbered paragraphs, both in order to facilitate cross-reference and for the convenience of students generally. The division follows broadly that of Sun Hsing-yen’s edition; but I have sometimes found it desirable to join two or more of his paragraphs into one. In quoting from other works, Chinese writers seldom give more than the bare title by way of reference, and the task of research is apt to be seriously hampered in consequence. With a view to obviating this difficulty so far as Sun Tzŭ is concerned, I have also appended a complete concordance of Chinese characters, following in this the admirable example of Legge, though an alphabetical arrangement has been preferred to the distribution under radicals which he adopted. Another feature borrowed from “The Chinese Classics” is the printing of text, translation and notes on the same page; the notes, however, are inserted, according to the Chinese method, immediately after the passages to which they refer. From the mass of native commentary my aim has been to extract the cream only, adding the Chinese text here and there when it seemed to present points of literary interest. Though constituting in itself an important branch of Chinese literature, very little commentary of this kind has hitherto been made directly accessible by translation.[3]