Sun Tzŭ on the Art of War: The Oldest Military Treatise in the WorldSunzi, active 6th century B.C.
Philosophy
Sun Tzŭ on the Art of War: The Oldest Military Treatise in the World
Sunzi, active 6th century B.C.
Military art and science -- Early works to 1800; War -- Early works to 1800
The original text, followed by the _T‘u Shu_, has 人 for 民 here
and in the next two paragraphs. But, as we have seen, 人 is
generally used in Sun Tzŭ for the enemy.
may be focussed on one particular point.
Note the use of 一 as a verb. Chang Yü says:
視聽均齊則雖百萬之衆進退如一矣 “If sight and hearing converge
simultaneously on the same object, the evolutions of as many as a
million soldiers will be like those of a single man”!
25. 民既專一則勇者不得獨進怯者不得獨退此用衆之法也
The host thus forming a single united body, it is impossible either
for the brave to advance alone, or for the cowardly to retreat alone.
Chang Yü quotes a saying: 令不進而進與令不退而退厥罪惟均 “Equally
guilty are those who advance against orders and those who retreat
against orders.” Tu Mu tells a story in this connection of 吳起 Wu
Ch‘i, when he was fighting against the Ch‘in State. Before the
battle had begun, one of his soldiers, a man of matchless daring,
sallied forth by himself, captured two heads from the enemy, and
returned to camp. Wu Ch‘i had the man instantly executed,
whereupon an officer ventured to remonstrate, saying: “This man
was a good soldier, and ought not to have been beheaded.” Wu Ch‘i
replied: “I fully believe he was a good soldier, but I had him
beheaded because he acted without orders.”
This is the art of handling large masses of men.
26. 故夜戰多火鼓晝戰多旌旗所以變民之耳目也
In night-fighting, then, make much use of signal-fires and drums, and
in fighting by day, of flags and banners, as a means of influencing
the ears and eyes of your army.
The _T‘ung Tien_ has the bad variant 便 for 變. With regard to the
latter word, I believe I have hit off the right meaning, the whole
phrase being slightly elliptical for “influencing the movements of
the army through their senses of sight and hearing.” Li Ch‘üan, Tu
Mu and Chia Lin certainly seem to understand it thus. The other
commentators, however, take 民 (or 人) as the enemy, and 變 as
equivalent to 變惑 or 變亂 “to perplex” or “confound.” This does
not agree so well with what has gone before, though on the other
hand it renders the transition to § 27 less abrupt. The whole
question, I think, hinges on the alternative readings 民 and 人.
The latter would almost certainly denote the enemy. Ch‘ên Hao
alludes to 李光弼 Li Kuang-pi’s night ride to 河陽 Ho-yang at the
head of 500 mounted men; they made such an imposing display with
torches, that though the rebel leader 史思明 Shih Ssŭ-ming had a
large army, he did not dare to dispute their passage. [Ch‘ên Hao
gives the date as 天寳末 A.D. 756; but according to the 新唐書 New
T‘ang History, 列傳 61, it must have been later than this, probably
760.]
27. 故三軍可奪氣將軍可奪心
A whole army may be robbed of its spirit;
Public-domain text, read in full here on John Shaqi.
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