Bildungsromans; City and town life -- Juvenile fiction; First loves -- Juvenile fiction; Religion -- Philosophy -- Juvenile fiction
"If he ain't took already, there's a fine chance for Emily," Mr.
Cattermole said benevolently to his daughter. Being a man, he naturally
supposed that Mrs. Mead would never have come by such an idea if she
hadn't had a bright old father to point it out to her.
"Emily doesn't want to marry," said Mrs. Mead, compressing her lips and
expanding her dignity simultaneously; "she wouldn't marry an artist,
anyway."
"Maybe he ain't much of an artist," said Mr. Cattermole, with a tendency
to look on the bright side. "Why don't Emily want to marry? I thought
girls always wanted to marry. They did when I was young."
"It's different nowadays," said Mrs. Mead, with condescending reserve.
"You don't understand, Father, but nothing is like it used to be. The
world is getting all changed. When Emily was an only child, she was
looked upon as very odd, but most women have an only child nowadays.
Life is quite different."
"I'd like to see Emily married," said Mr. Cattermole, thoughtfully.
"Emily has had plenty of chances," said her mother, waving the brave,
tattered mother-lie that seems to cover over such cruel wounds.
"Has she really?" said Mr. Cattermole, in genuine surprise. "I didn't
know that. And she wouldn't have 'em! Laws sakes! Who, for instance?"
"No one you knew," said his daughter, telling the truth then.
"Sarah knew 'em, I suppose?" (Sarah was Mrs. Cowmull.)
"No, no one Sarah knew."
"Think of that now! Why, I s'posed there wasn't nothing Sarah didn't
know."
In voicing this opinion Mr. Cattermole voiced the town opinion, too. It
was popularly supposed that Sarah Cowmull always knew everything. But
she didn't know the status of Lorenzo Rath's heart, and Lorenzo Rath
himself puzzled her not a little.
Lorenzo puzzled everybody, mainly because he was so open and simple that
even a child must have suspected him of keeping something back. Such
frankness was unthinkable, such innocence incredible.
"Why, he's gallivanting all over with Madeleine, and yet she's gotten
another man's picture on her table!" said Miss Debby to Katie Croft.
"And he's skipping in Mrs. Ralston's gate at all hours," said Katie
Croft--"no kind of ceremony to him. The other day he see mother in the
window, and he waved his hat at her and give her an awful turn. She
don't see well, and thought he threw a stone at her. She ain't used to
city ways; she's used to country ways. I had to let her smell camphor
for a good hour, and while she was smelling, the kitchen fire went out.
I wish he'd keep his hat on his head another time. My life's hard enough
without having a artist suddenly set to, to cheer up mother."
"What do you think of Mrs. Ralston's niece? Think she's nice?"
"Nice! With Susan Ralston about as lively as a cricket! I don't think
much of such new ways. I don't know whatever Matilda will say. She's
just got life all systematized, and now here's Susan up and out of bed.
I'm so scared the girl'll come over and go at mother, I don't know what
to do."
Public-domain text, read in full here on John Shaqi.
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