It is one of the mysteries of the ages that so canny an old libertine
as Lord Blessington should have been hood-winked by D'Orsay and
Marguerite. There is no clew to it, except--perhaps he was not fooled.
Perhaps he was too old, too sick, too indifferent to care.
And when D'Orsay's unhappy young wife, in 1838, refused to be a party
any longer to the disgusting farce and divorced her husband, the
gossip-whispers swelled to a screech. The wife departed; D'Orsay
stayed on.
There is every reason to think Marguerite was true to her young "Greek
God." But if so, it was not for lack of temptation or opportunity to
be otherwise. In her late forties and early fifties, she was still
"the most gorgeous Lady Blessington," still as lovely, as magnetic, as
adorable as in her teens.
Among the men who delighted to honor her salons with their frequent
presence--and more than one of them made desperate love to their
hostess--were Bulwer, Dickens, Thackeray, Sir Robert Peel, Captain
Marryat, Brougham, Landseer, Tom Moore, Disraeli, and many another
genius.
Disraeli--one day to rule British politics as Lord Beaconsfield--was
at that time merely a brilliant politician and an almost equally
brilliant novelist. There is a story--I don't vouch for it--that,
piqued at Marguerite's coldness toward himself, Disraeli revenged
himself by portraying D'Orsay right mercilessly as "Count Mirabeau,"
in his "Henrietta Temple."
Landor was drawn by her lure into returning to England. The aged Duke
of Wellington, too, was a guest at her more informal "at homes."
Marguerite used such influence as she possessed over the duke to
persuade him to let D'Orsay paint his portrait. So well did the
picture turn out that the duke cried in delight:
"At last I've been painted as a gentleman!"
To the Blessington salons came an American, a man whose clothes were
the hopeless envy of Broadway, and whose forehead curl was imitated by
every Yankee dandy who could afford to buy enough pomatum to stick a
similar curl to his own brow. He was N. P. Willis. You don't even
start at the name. Yet that name used to thrill your grandmother.
Willis was a writer; and gained more temporary fame for less good work
than any other author our country has produced.
During a tour of England, he was fortunate enough to receive an
invitation to call on Lady Blessington. And thereafter he called
almost every day. He fairly raved over her.
"She is one of the most lovely and fascinating women I have ever
known!" he wrote.
Then he wrote more; he wrote a story of something that happened at one
of her soirees. He sent it to an American paper, never dreaming it
would ever be seen in England. But the story was reprinted in an
English magazine. And D'Orsay showed Willis the door.
Public-domain text, read in full here on John Shaqi.
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