She was a spitfire and she couldn't dance. But she had given the
Parisians a genuine thrill. She was a success. Two slippers and two
garters, hurled with feminine rage and feminine inaccuracy into the
faces of a line of bored theatergoers, had achieved more for the fair
artillerist than the most exquisite dancing could have hoped to.
Lola was the talk of the hour. An army of babbling Ranelaghs could not
now have dimmed her fame.
Dujarrier, all-powerful editor of "La Presse," laid his somewhat
shopworn heart at her feet. Dumas, Balzac, and many another celebrity
sued for her favor. Her reign over the hearts of men had recommenced.
But Lola Montez never rode long on prosperity's wave-crest. A French
adorer, jealous of Dujarrier's prestige with the lovely dancer,
challenged the great editor to a duel. Dujarrier, for love of Lola,
accepted the challenge--and was borne off the field of honor with a
bullet through his brain.
Lola sought to improve the occasion by swathing herself somberly and
right becomingly in crape, and by vowing a vendetta against the
slayer. But before she could profit by the excellent advertisement,
Dumas chanced to say something to a friend--who repeated it to another
friend, who repeated it to all Paris--that set the superstitious,
mid-century Frenchmen to looking askance at Lola and to avoiding her
gaze. Said Monte Cristo's creator:
"She has the evil eye. She will bring a curse upon any man who loves
her."
And by that (perhaps) senseless speech, Dumas drove Lola Montez from
Paris. But she took with her all her new-born prestige as a danseuse.
She took it first to Berlin. There she was bidden to dance at a court
reception tendered by King Frederick William, of Prussia.
The rooms of the palace, on the night of the reception, were
stiflingly hot. Lola asked for a glass of water. A much-belaced and
bechained chamberlain--to whom the request was repeated by a
footman--sent word to Lola that she was there to dance for the king
and not to order her fellow-servants around.
The net result of this answer was another Irish rage. Lola, regardless
of her pompous surroundings, rushed up to the offending chamberlain
and loudly made known her exact opinion of him. She added that she was
tired of dealing with understrappers, and that, unless the king
himself would bring her a glass of water, there would be no dreamy
Spanish dance at the palace that night.
The scandalized officials moved forward in a body to hustle the
lesemajeste perpetrator out of the sacred precincts. But the rumpus
had reached the ears of King Frederick William himself, at the far end
of the big room. His majesty came forward in person to learn the cause
of the disturbance. He saw a marvelously beautiful woman in a
marvelously abusive rage.
Public-domain text, read in full here on John Shaqi.
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