Supplemental Nights to the Book of the Thousand and One Nights — Volume 4 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 4 (of 6)
Fairy tales; Tales -- Arab countries
As my first and second volumes (Supplemental) were composed of
translated extracts from the Breslau Edition of The Nights, so
this tome and its successor (vols. iv. and v.) comprise my
version from the (Edward) Wortley Montague Codex immured in the
old Bodleian Library, Oxford.
Absence from England prevents for the present my offering a
satisfactory description of this widely known manuscript; but I
may safely promise that the hiatus shall be filled up in vol. v.,
which is now ready for the press.
The contents of the Wortley Montague text are not wholly
unfamiliar to Europe. In 1811 Jonathan Scott, LL.D. Oxon. (for
whom see my vols. i., ix. and x. 434), printed with Longmans and
Co. his "Arabian Nights Entertainments" in five substantial
volumes 8vo, and devoted a sixth and last to excerpts entitled
TALES
SELECTED FROM THE MANUSCRIPT COPY
OF THE
1001 NIGHTS
BROUGHT TO EUROPE BY EDWARD WORTLEY MONTAGUE, ESQ.
Translated from the Arabic
BY JONATHAN SCOTT, LL.D.
Unfortunately for his readers Scott enrolled himself amongst the
acolytes of Professor Galland, a great and original genius in the
line Raconteur, and a practical Orientalist whose bright example
was destined to produce disastrous consequences. The Frenchman,
however unscrupulous he might have been about casting down and
building up in order to humour the dead level of Gallican bon
goût, could, as is shown by his "Aladdin," translate literatim
and verbatim when the story-stuff is of the right species and
acceptable to the average European taste. But, as generally
happens in such cases, his servile suite went far beyond their
master and model. Petis de la Croix ("Persian and Turkish
Tales"), Chavis and Cazotte ("New Arabian Nights"), Dow ("Ináyatu
llah") and Morell ("Tales of the Genii"), with others manifold
whose names are now all but forgotten, carried out the Gallandian
liberties to the extreme of licence and succeeded in producing a
branchlet of literature, the most vapid, frigid and insipid that
can be imagined by man,?a bastard Europeo-Oriental,
pseudo-Eastern world of Western marionettes garbed in the gear
which Asiatic are (or were) supposed to wear, with sentiments and
opinions, manners and morals to match; the whole utterly lacking
life, local colour, vraisemblance, human interest. From such
abortions, such monstrous births, libera nos, Domine!
And Scott out-gallanded Galland:?
Diruit, ædificat, mutat quadrata rotundis.
Public-domain text, read in full here on John Shaqi.
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