Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 6 (of 6)
Fairy tales; Tales -- Arab countries
[FN#234] MS. pp. 505-537. This story is found in the "Turkish
Tales" by Petis de la Croix who translated one fourth of the
"Forty Wazirs" by an author self-termed "Shaykh Zádeh." It is
called the "History of Chec Chahabeddin" (Shaykh Shiháb al-Dín),
and it has a religious significance proving that the Apostle did
really and personally make the "Mi'raj" (ascent to Heaven) and
returned whilst his couch was still warm and his upset gugglet
had not run dry. The tale is probably borrowed from Saint Paul,
who (2 Cor. xii. 4) was "caught up into Paradise," which in those
days was a kind of region that roofed the earth. The Shaykh in
question began by showing the Voltairean Sultan of Egypt certain
specious miracles, such as a phantom army (in our tale two
lions), Cairo reduced to ashes, the Nile in flood and a Garden of
Irem, where before lay a desert. He then called for a tub,
stripped the King to a zone girding his loins and made him dip
his head into the water. Then came the adventures as in the
following tale. When after a moment's space these ended, the
infuriated Sultan gave orders to behead the Shaykh, who also
plunged his head into the tub; but the Wizard divined the
ill-intent by "Mukáshafah" (thought-reading); and by "Al-Ghayb
'an al-Absár" (invisibility) levanted to Damascus. The reader
will do well to compare the older account with the "First Vizir's
Story" (p. 17) in Mr. Gibb's "History of the Forty Vizirs," etc.
As this scholar remarks, the Mi'ráj, with all its wealth of wild
fable, is simply alluded to in a detached verses of the Koran
(xvii. 1) which runs: [I declare] "The glory of Him who
transported His servant by night from the Sacred Temple (of
Meccah) to the Remote Temple (of Jerusalem), whose precincts we
have blessed, that we might show him of our signs." After this
comes an allusion to Moses (v. 2); Mr. Gibb observes (p. 22) that
this lengthening out of the seconds was a favourite with
"Dervishes," as he has shown in "The Story of Jewád ," and
suggests that the effect might have been produced by some drug
like Hashish. I object to Mr. Gibb's use of the word "Hour)"
(ibid. p. 24) without warning the reader that it is an irregular
formation, masculine withal for "Huríyah," and that the Pers.
"Húri," from which the Turks borrowed their blunder, properly
means "One Húr."
[FN#235] For the Dajlah (Tigris) and Furát (Euphrates) see vols.
viii. 150- ix. 17. The topothesia is worse than Shakespearean. In
Weber's Edit. of the "New Arabian Nights" (Adventures of
Simoustapha, etc.), the rivers are called "Ilfara" and "Aggiala."
[FN#236] In text "Alwán," for which see vol. vii. 135.
[FN#237] [The word which is here translated with: "and one had
said that he had laboured hard thereat (walawá'yh?) seems
scarcely to bear out this meaning. I would read it "wa'l-Aw'iyah"
(plur. of wi'á), rendering accordingly: "and the vessels (in
which the aforesaid meats were set out) shimmered like unto
silver for their cleanliness."--ST.]
Public-domain text, read in full here on John Shaqi.
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