Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
General
Supplemental Nights to the Book of the Thousand and One Nights — Volume 3 (of 6) Part 2
Fairy tales; Tales -- Arab countries
The seventh of Lal Behari Day’s “Folk-Tales of Bengal” opens as follows:
Once on a time there reigned a king who had seven queens. He was very
sad, for the seven queens were all barren. A holy mendicant, however,
one day told the king that in a certain forest there grew a tree, on a
branch of which hung seven mangoes; if the king himself plucked those
mangoes and gave one to each of the queens they would all become
mothers. So the king went to the forest, plucked the seven mangoes that
grew upon one branch, and gave a mango to each of the queens to eat. In
a short time the king’s heart was filled with joy, as he heard that the
seven queens were pregnant.—In Miss Stokes’ “Indian Fairy Tales,” p. 91,
Rájá Barbál receives from an ascetic 160 _lichí_ fruits, one of which he
is to give to each of his 160 wives, who would have each a son.—Similar
instances occur in Steel and Temple’s “Wide Awake Stories”, from the
Panjáb and Kashmír, pp. 47 and 290, and in Natésa Sástrí’s “Dravidian
Nights’ Entertainments” (a translation of the Tamil romance entitled
“Madanakámarájankadai”), pp. 55, 56.—Among biblical instances of women
having offspring after being long barren are: Sarah, the wife of Abraham
(Gen. ch. xv. 2–4, xxi. 1, 2); Rachel, the wife of Jacob (Gen. ch. xxx.,
1, 22, 23); and Elisabeth, the wife of Zacharias, the high-priest, who
were the parents of John the Baptist (Luke, ch. i.). Whether children be
a “blessing,” notwithstanding all that has been said and sung about the
exquisite joys of paternity and maternity, is perhaps doubtful,
generally speaking: one thing is certain, that many an honest fellow has
had too much cause to “wonder why the devil he got an heir!”[154]
Although no version or variant of the story of Khudadad and his Brothers
has yet been found besides the one in the Turkish collection “Al-Faráj
ba’d al-Shiddah,” yet the elements of which it is composed occur in many
European and Asiatic tales. As we have in Galland a story of sisters who
envied their cadette, so, by way of justice to the “fair sex,” we have
likewise this tale of envious brothers, which is a favourite theme of
popular fictions, only in the story of Khudadad, the brothers were not
at first aware of the hero’s kinship to them, though they had been
informed of it when they most ungratefully cut and slashed him with
their swords as he lay asleep by the side of his beauteous bride the
Princess of Daryabár.
Public-domain text, read in full here on John Shaqi.
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