Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
Living in Paris a quiet and rather solitary life—in habits
more a Frenchman than an Englishman; in tastes an artist and a
connoisseur; in purse and opportunity unlimited by any niggard need
of self-control—the fourth Marquis of Hertford busied himself in
gathering together from the treasure-houses of Europe innumerable
precious specimens of the painter’s, the goldsmith’s, and the
cabinetmaker’s art. Year after year, with tranquil perseverance, he
heaped up on every side of him all the beautiful objects on which
he could lay hands—pictures, miniatures, furniture, enamels, china
and plate, bronzes, and coats of armour—until his storehouses were
full to overflowing of treasures which, except for the pleasure of
procuring them, he could hardly ever have enjoyed. In this congenial
task he was assisted by a young Englishman, the secret of whose
connection with the Hertford family, if any such there was, the public
has never penetrated yet. To this young Englishman, who was well
known and liked in Parisian society in the tawdry splendour of the
Second Empire, and whose active generosity {22} won him wide esteem
in that desolated capital amid the terrible events of the winter of
1870–71, Lord Hertford bequeathed the wonderful possessions which
he had accumulated in a lifetime of discriminating labour. When the
Franco-German War and the Commune were over, Richard Wallace brought
his spoils safely home, and exhibited them for a time at the Bethnal
Green Museum while he built the great galleries to hold them in
Manchester Square. But even here they were not destined to bring much
happiness to their possessor. After a short time Sir Richard Wallace
was left heirless—like Lord Hertford—by a cruel stroke of fate; and
now, by his widow’s gift, the splendid inheritance, which has passed
so quickly from the keeping of the hands that laid it up, goes to
enrich a public which will not be ungrateful for the donor’s rare
munificence, or unmindful of the sad and curious story it recalls.[9]
[9] A footnote on p. 229, vol. iv. of G. E. C.’s _Complete Peerage_
says: “[The fourth Marquis] is said never to have been in England.
He left his Irish estates (worth £50,000 a year) and most of his
personalty (which included the well-known Hertford collection of
pictures) to Sir Richard Wallace, Bart. (so _cr._ 1866), who is
supposed to have been an illegit. son, either of himself (when aged
18), or of his father, or even (not improbably) of his mother; which
Richard (_b._ in London, 26th July 1818) _d._ s.p. at Paris, 20th
July 1890, in his 72nd year, and was _bur._ in the family vault at
Père-la-Chaise. Sir Richard’s ‘art treasures’ (derived as above stated)
were valued at his death in 1890 at above two millions.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account