Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
All this we find very fully set out in Mr. Percy Fitzgerald’s _History
of Pickwick_, to which I would refer the reader who is anxious to
acquaint himself with details of the transaction. The Buss etchings,
which we here reproduce, had for their subjects “The Cricket Match”
and “Tupman and Rachel,” and are to be found respectively opposite pp.
69 and 74 of the earliest issues of the first edition of the immortal
romance. They were, in the words of the artist himself, “abominably
bad,” and he was immediately superseded as illustrator by H. K. Browne,
who was destined to be inseparably connected with the novelist’s work
for so long a period. {30}
This episode has been so often dwelt upon, and so exhaustively dealt
with, that I shall not do much more than point out how those who have
written on the subject have altogether missed what is perhaps the most
important link in the whole chain of circumstances. So put to it, as I
have said, were the publishers to get the new number out in time lest
an expectant public should be disappointed, that they were forced to
fix upon Seymour’s substitute _without consulting Dickens_. This was
really the whole _crux_ of the situation. The author only recognised
the failure of the plates. He knew nothing of the difficulties under
which Buss had laboured, and so naturally made no allowances, and
knew of no reason why subsequent ones should be better. The plates
unquestionably were poor, but we find from Mr. Buss’s own private MS.,
to which, by his son’s kindness, I have had access, that this was not
by any means mainly the fault of the artist. He had previously had no
experience in etching, and only undertook the work after much pressure,
to accommodate the publishers. To quote from his own account: {31}
[Illustration: The “Pickwick” suppressed plate: “The Cricket Match.”
(_By R. W. Buss_)]
At Seymour’s death, Hall engaged me to illustrate Charles Dickens’s
_Pickwick_. I commenced practice, and worked hard, I may say day
and night, for at least a month on etching, and I furnished the
illustrations for _Pickwick_. Without any reason assigned, Hall broke
his engagement with me, in a manner at once unjust and unhandsome.
As a matter of fact, the plates, as they appeared, were not etched by
Buss at all, but by a professional etcher after his designs. And it is
curious to note that each of the plates is, notwithstanding, inscribed,
“Drawn & Etch’d by R. W. Buss.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account