Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector — John Shaqi
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
Another Dickens plate demanding mention is the exceedingly rare etched
frontispiece by “Phiz,” to be found in only a few copies of _The
Strange {55} Gentleman_, published in 1837 by Messrs. Chapman and
Hall. This “Comic Burletta” was founded upon “The Great Winglebury
Duel,” in _Sketches by Boz_, and was first performed at the St. James’s
Theatre in September 1836. A second edition was {56} published in 1860
with a coloured etching by Mr. F. W. Pailthorpe, the last illustrator
to carry on the tradition of Cruikshank and H. K. Browne. The “Phiz”
etching is here reproduced. Even the second edition is extremely rare,
and readily sells for between two and three pounds. The reason for
the disappearance of the “Phiz” plate is not known, and I only give
particulars of it here because of its excessive rarity, and because
it is constantly referred to as “suppressed,” though with no strict
justification. The British Museum copy of the book only contains Mr.
Pailthorpe’s frontispiece, but a copy with the “Phiz” plate is to be
found in the Forster Library, South Kensington.
Then, again, we have Dickens’s _Pictures from Italy_, published by
Messrs. Bradbury and Evans in 1846, with the beautiful “vignette
illustrations on the wood,” by that master engraver, Samuel Palmer.
For some reason or other that representing “The Street of the Tombs,
Pompeii,” on the title-page, disappears after the exhaustion of
the first and second editions, both published in the same year. It
reappears, however, in the late {57} reprint of 1888, and is also
only here alluded to because sometimes referred to as “suppressed.”
[Illustration: The suppressed plate from “Sketches by Boz”]
The last of the Dickens illustrations germane to our subject is that
much-desired etching of “The Free and Easy,” which should be found
opposite page 29 of the “second series” of _Sketches by Boz_. Both the
first and second series were originally published in 1836. In 1839
another edition appeared with all the etchings to the original edition
enlarged (except “The Free and Easy,” which was cancelled), and with
thirteen additional plates. An edition on the lines of the first issue
of the second series, only with the illustrations in lithography, was
published in Calcutta in 1837.
It is important, in collating the first editions of the _Sketches_, to
bear in mind the fact that the first series was in two volumes and the
second in one. Otherwise it is impossible to understand why “Vol. III.”
is engraved on each of the plates in the second series. As showing how
eagerly these volumes in fine condition, and of course uncut and in
the original cloth binding, are sought after, it may be mentioned that
thirty pounds is by no means an unheard-of price. {58}
Unfortunately the plates will in most cases be found to be badly foxed.
The tissue of the paper itself has in many cases been attacked by damp
and rotted right through.
Public-domain text, read in full here on John Shaqi.
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