Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the CollectorLayard, George Somes
History
Suppressed Plates, Wood-engravings, &c.: Together with Other Curiosities Germane Thereto; Being an Account of Certain Matters Peculiarly Alluring to the Collector
Layard, George Somes
Engraving; Engraving -- Collectors and collecting
Before, however, proceeding to the consideration of the suppressed
illustration itself, it will be as well to pause for a moment to
consider what antecedent probability there was that Thackeray would
pillory a well-known _roué_ of the period in terms that would make
the likeness undoubted and undeniable. And in pointing out what the
great {8} novelist’s practice was in this respect I would guard
myself against the charge of presuming to censure one who is not
here to answer for himself, and whose nobility of character was
sufficient guarantee of good faith and honourable intention. Let it
always be remembered that, if Thackeray flagellated others, he never
hesitated to taste the quality of his own whip first. Even in his book
illustrations, as I have pointed out elsewhere, he was as unsparing
of his own feelings as he was in his writings. And, in using himself
as a whipping-boy for our sins, he probably believed that he was
making himself as despicable as a Rousseau. Hence he came to the like
treatment of other real personages not with unclean hands.
Some of us may have seen, though very few of us can possess, a very
rare pamphlet, which was sold for as much as £39 on one of its
infrequent appearances in the auction-rooms, entitled _Mr. Thackeray,
Mr. Yates, and the Garrick Club_. In it was published a never-sent
reply to a letter written by Thackeray remonstrating with Yates on
the contents of a “pen-and-ink” sketch published by the latter in No.
6 of a periodical called _Town {9} Talk_, which resulted in Yates’s
expulsion from the Garrick Club.
In this unsent letter he charged Thackeray with having unjustifiably
introduced portraits both in his letterpress and illustrations. Mr.
Stephen Price appeared as Captain Shindy in the _Book of Snobs_. In
the same book Thackeray drew on a wood block what was practically a
portrait of Wyndham Smith, a fellow-clubman. This appeared amongst
“Sporting Snobs,” Mr. Smith being a well-known sporting man. In
_Pendennis_ he made a sketch of a former member of the Garrick Club,
Captain Granby Calcraft, under the name of Captain Granby Tiptoff. In
the same book, under the transparent guise of the unforgettable Foker,
he reproduced every characteristic, both in language, manner, and
gesture, of Mr. Andrew Arcedeckne, and even went so far as to give an
unmistakable portrait of him, to that gentleman’s great annoyance.
Besides the examples given by Yates, who was himself recognisable
as George Garbage in _The Virginians_, we know, too, that in the
same novel Theodore Hook appeared as Wagg, just as he did {10} as
Stanislaus Hoax in Disraeli’s _Vivian Grey_, and that Alfred Bunn
was the prototype of Mr. Dolphin. Archdeacon Allen was the original
of Dobbin, Lady Langford of Lady Kew; and last, but not least, we
have lately learned from Mrs. Ritchie that the inimitable Becky had
undoubtedly her incarnation.
Public-domain text, read in full here on John Shaqi.
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