Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff — John Shaqi
Surrey: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Surrey (England) -- Description and travel
Too bold we grow, too fast we go;
Too many things we want to know,
Too many sights to see;
'Tis not enough o'er earth to fly;
Man strives to scale the very sky
On L.S. piled on D.
But let the humble pedestrian take heart when overshadowed by the proud
passage of Sir Gorgius Midas. His car prevails on the highways, but on
the byways it is helpless, all the more if the weight of its armour be
five thousand shekels of brass. And Surrey abounds in byways, some still
twisting through the outer streets of London, their original character
to be guessed only by such titles as _Coldharbour Lane_, _Cut-throat
Lane_, which perhaps was "Cut-through Lane" in its blossoming days, and
the _Worple Roads_ and _Worple Ways_ of Richmond, Wimbledon, and
Mortlake, whose villa-dwellers may be ignorant that these names denote
old bridle-paths.
Country-folk or towns-folk, we are not always fully aware of our own
blessings. Let not familiarity breed contempt for what strikes a
stranger as one of the pleasantest traits in an English landscape.
Nathaniel Hawthorne is not the only American who, in visiting _Our Old
Home_, has taken admiring note how:--
The high-roads are made pleasant to the traveller by a border of
trees, and often afford him the hospitality of a wayside bench
beneath a comfortable shade. But a fresher delight is to be found
in the footpaths, which go wandering away from stile to stile,
along hedges, and across broad fields, and through wooded parks,
leading you to little hamlets of thatched cottages, ancient,
solitary farm-houses, picturesque old mills, streamlets, pools, and
all those quiet, secret, unexpected yet strangely familiar features
of English scenery that Tennyson shows us in his idylls and
eclogues. These by-paths admit the wayfarer into the very heart of
rural life, and yet do not burden him with a sense of
intrusiveness. He has a right to go whithersoever they lead him;
for, with all their shaded privacy, they are as much the property
of the public as the dusty high-road itself, and even by an older
tenure. Their antiquity probably exceeds that of the Roman ways;
the footsteps of the aboriginal Britons first wore away the grass,
and the natural flow of intercourse between village and village has
kept the track bare ever since. An American farmer would plough
across any such path and obliterate it with his drills of potatoes
and Indian corn; but here it is protected by law, and still more by
the sacredness that inevitably springs up in this soil along the
well-defined footpaths of centuries. Old associations are sure to
be fragrant herbs in English nostrils; we pull them up as weeds.
Public-domain text, read in full here on John Shaqi.
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