Surrey: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Surrey: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Surrey (England) -- Description and travel
Across the bridge here opens the gate of another park, in which are
enclosed the remains of Waverley Abbey, the finest ecclesiastical ruins
in Surrey, not very rich in such treasures. This was the first
Cistercian monastery in England, whose scanty remains stand tangled in
greenery, a beautiful sight, and still substantial enough to indicate
its fallen grandeur. Recent excavations by the Surrey Archæological
Society have been well rewarded. The eighteenth-century mansion kept the
old monks' garden, in which Cobbett worked as a boy, and got his fill
of fruit, for, he says, the produce could never have been consumed
unless the servants lent a mouth. A visitor to the neighbourhood was Sir
Walter Scott, who carried away the name of Waverley as a fruitful seed.
His famous novel has nothing of the Abbey save its name; but _Sir
Nigel_, a lively work of one of our generation's romancers, Sir A. Conan
Doyle, has brought this skeleton of a great religious house to life for
us as it was in Plantagenet days.
In the centre lay the broad Abbey buildings, with church and
cloisters, hospitium, chapter-house and fraterhouse, all buzzing
with a busy life. Through the open window came the low hum of the
voices of the brethren as they walked in pious converse in the
ambulatory below. From across the cloisters there rolled the
distant rise and fall of a Gregorian chaunt, where the precentor
was hard at work upon the choir; while down in the chapter-house
sounded the strident voice of Brother Peter, expounding the rule of
St. Bernard to the novices. Abbot John rose to stretch his cramped
limbs. He looked out at the green sward of the cloisters and at the
graceful line of open Gothic arches which skirted a covered walk
for the brethren within. Two and two, in their black and white
garb, with slow step and heads inclined, they paced round and
round. Several of the more studious had brought their illuminating
work from the scriptorium and sat in the warm sunshine, with their
little platters of pigments and packets of gold-leaf before them,
their shoulders rounded and their faces sunk low over the white
sheets of vellum. There, too, was the copper-worker, with his
burin and graver. Learning and art were not traditions with the
Cistercians as with the parent Order of the Benedictines, and yet
the library of Waverley was well filled both with precious books
and with pious students. But the true glory of the Cistercian lay
in his outdoor work; and so ever and anon there passed through the
cloister some sunburned monk, soiled mattock or shovel in hand,
with his gown looped to his knee, fresh from the fields or the
garden. The lush green water-meadows speckled with the
heavy-fleeced sheep, the acres of cornland reclaimed from heather
and bracken, the vineyards on the southern slope of Crooksbury
Public-domain text, read in full here on John Shaqi.
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