Perhaps the din from within dulled his hearing. For tough naked hide
scraped on rock and the heavy breathing of the wounded blind man
should have been clearly audible otherwise. Masson must have heard him
approaching at the last for he was half-turned when the rough fragment
of grayish shale came thudding down. He twisted away from the weighty
missile, but even so it grazed along his skull and he went down into
the blackness of nothingness for a time.
He awakened to look into the hot dark eyes of a Frog who had crept to
within a few paces of his barricade.
The rifle was yet in his grip and through blinding flashes of pain
he somehow found the strength to aim and squeeze trigger. The ugly
gray face vanished and he painfully fed another cartridge into the
rifle's single chamber. The weight across his back did not go away,
and twisting his head he saw that the blind Butrad's body had slumped
across his own.
Masson slid the weight off but the blackness came again; so he rested
for a time. And this time the blackness had come to stay for it was
night. The sun had finally been swallowed by the cloud layers that
swath Venus eternally.
He tried to crawl back toward the tunnel, but how he was to climb the
sheer wall to the escape passage he did not know. He could not raise
his body from the ground on the level.
Once again the pain in his head returned and pain flashed its
lightning. His eyes clenched themselves shut and he fought off the
giddy waves of weakness. After a time he could feel again, and see.
There was light in the cave, light and the grayish flabby-hided bodies
of Butrads. He tried to raise the rifle and a webbed hand knocked it
from his grasp.
"None of that, now," a voice ordered, and his unbelieving ears
recognized that of Joe Dolan.
Rifles cracked at the cave entrance and he saw the larger young ones
of the Butrads being hoisted up to the escape tunnel. And he grinned
weakly up at Dolan's hideous scarred face.
The future of the Earthmen on the Watery World was safe now.
Public-domain text, read in full here on John Shaqi.
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