Suspended Judgments: Essays on Books and SensationsPowys, John Cowper
History
Suspended Judgments: Essays on Books and Sensations
Powys, John Cowper
English literature -- History and criticism; French literature -- History and criticism
This "cult of egoism" is obviously not entirely modern. Traces of it,
aspects of it, fragments and morsels of it, have existed from all time.
It was the latent presence of this quality in his great Romans, much
more than their mere "outward triumphs," which led him to brood so
incessantly upon their memories.
But Montaigne himself was the first of all writers to give palpable
intellectual shape to this diffused spiritual temper.
In recent times, some of the most fascinating of our literary guides
have been philosophical egotists. Whitman, Matthew Arnold,
Emerson, Pater, Stendhal, Maurice Barrès (in his earlier work), de
Gourmont, D'Annunzio, Oscar Wilde--are all, in their widely
different ways, masters of the same cult.
The out-looking activities and the out-looking social interests of
Voltaire or Renan, or Anatole France, give to these great writers
quite a different psychological tone. The three I have just mentioned
are all too inveterately spirits of mockery even to take seriously
_their own_ "sensations and ideas"; and however ironical and
humorous an egoist may be with regard to other people's
impressions, with regard to his own he is grave, intent, preoccupied,
almost solemn.
When one thinks of it, there is a curious solemnity of preoccupation
with themselves and their own sensations about Wilde, Pater,
Whitman, Stendhal, D'Annunzio and Barrès. And this "gravity of
egoism" is precisely the thing which, for all his humorous humanity,
distinguished the great Montaigne and which his early critics found
so irritating.
"What do I care--what does any one care," grumbled the learned
Scaliger, "whether he prefers white wine to red wine?"
The second element in the compound chemistry of the "modern
temper" introduced into the world by Montaigne may be found in his
famous scepticism. The formidable levity of that notorious "que
sais-je?" "What do I know?" writes itself nowadays across our
whole sky. This also--"this film of white light," as some one has
called it, floating waveringly beneath each one of our most
cherished convictions was, not unknown before his time.
All the great sophists--Protagoras especially, with his "man the
measure of all things"--were, in a sense, professional teachers of a
refined scepticism.
Plato himself, with his wavering and gracious hesitations, was more
than touched by the same spirit.
Scepticism as a natural human philosophy--perhaps as the only
natural human philosophy--underlies all the beautiful soft-coloured
panorama of pagan poetry and pagan thought. It must have been the
habitual temper of mind in any Periclean symposium or Caesarean
salon. It is, pre-eminently and especially, the _civilised_ attitude of
mind; the attitude of mind most dominant and universal in the great
races, the great epochs, the great societies.
It is for this reason that France, among all modern nations, is the
most sceptical.
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