Suspended Judgments: Essays on Books and SensationsPowys, John Cowper
History
Suspended Judgments: Essays on Books and Sensations
Powys, John Cowper
English literature -- History and criticism; French literature -- History and criticism
At such times, it is to the novelists, to the inventors of stories, that
we most willingly turn for the poppied draught that we crave. The
poets hurt us with the pang of too dear beauty. They remind us too
pitifully of what we have missed. There is too much Rosemary
which is "for remembrance" about their songs; too many dead
violets between their leaves!
But on the large full tide of a great human romance, we can forget
all our troubles. We can live in the lives of people who resemble
ourselves and yet are not ourselves. We can put our own misguided
life into the sweet distance, and see it--it also--as an invented story;
a story that may yet have a fortunate ending!
The philosophers and even the poets are too anxious to convert us to
their visions and their fancies. There is the fatal odour of the prophet
in their perilous rhetoric, and they would fain lay their most noble
fingers upon our personal matters. They want to make us moral or
immoral. They want to thrust their mysticism, their materialism,
their free love, or their imprisoned thoughts, down our reluctant
throats.
But the great novelists are up to no such mischief; they are dreaming
of no such outrage. They are telling their stories of the old eternal
dilemmas; stories of love and hate and fear and wonder and madness;
stories of life and death and strength and weakness and perversion;
stories of loyalty and treachery, of angels and devils, of things seen
and things unseen. The greatest novelists are not the ones that deal
in sociological or ethical problems. They are the ones that make us
forget sociological and ethical problems. They are the ones that deal
with the beautiful, mad, capricious, reckless, tyrannous passions,
which will outlast all social systems and are beyond the categories
of all ethical theorising.
First of all the arts of the world was, they say, the art of dancing.
The aboriginal cave-men, we are to believe, footed it in their long
twilights to tunes played on the bones of mammoths. But I like to
fancy, I who have no great love for this throwing abroad of legs and
arms, that there were a few quiet souls, even in those days, who
preferred to sit on their haunches and listen to some hoary greybeard
tell stories, stories I suppose of what it was like in still earlier days,
when those lumbering Diplodocuses were still snorting in the
remoter marshes.
Public-domain text, read in full here on John Shaqi.
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