Paul Verlaine--and not without reason--became a legend even while he lived; and now that he is dead he has become more than a legend. A legend and a symbol! Wherever the spirit of art finds itself misunderstood, mistrusted, disavowed, disinherited; driven into the taverns by the stupidity of those who dwell in "homes," and into the arms of the submerged by the coldness and heartlessness of those who walk prosperously upon the surface; the figure of this fantastic child, this satyr-saint with the Socratic forehead, this tearful mummer among the armies of the outcasts, will rise up and write his prophecy upon the wall. For the kingdom of art is as the kingdom of heaven. The clever ones, the wise ones, the shrewd ones, the ones that make themselves friends with Mammon, and build themselves houses of pleasure for their habitation, shall pass away and be forgotten forever. The justice of the gods cancels the malice of the righteous, and the devoted gratitude of humanity tears up the contemptuous libels of the world. He has come into his own, as all great poets must at last, in defiance of the puritan, in defiance of public opinion, and in spite of all aspersion. He has come into his own; and no one who loves poetry can afford to pass him by. For while others may be more witty, more learned, more elaborate, none can be more melodious. His poetry is touched with the music that is beyond all argument. He lives by his sincerity. He lives by his imagination. The things that pertain the deepest to humanity are not its fierce fleshly passions, its feverish ambitions, its proud reasonings, its tumultuous hopes. They are the things that belong to the hours when these obsessing forces fade and ebb and sink away. They are the things that rise up out of the twilight-margins of sleep and death; the things that come to us on softly stepping feet, like child-mothers with their first-born in their arms; the things that have the white mists of dawn about them and the cool breath of evening around them; the things that hint at something beyond passion and beyond reason; the things that sound to us like the sound of bells heard through clear deep water; for the secret of human life is not in its actions or its voices or its clamorous desires, but in the intervals between all these--when all these leave it for a moment at rest--and in the depths of the soul itself the music becomes audible, the music which is the silence of eternity. REMY DE GOURMONT The death of Remy de Gourmont is one of the greatest losses that European literature has suffered since the death of Oscar Wilde. The supreme critic is as rare as the supreme artist, and de Gourmont's critical genius amounted to a miracle of clairvoyance. He wrote of everything--from the etymological subtleties of the French language down to the chaste reluctances of female moles. He touched everything and he touched nothing that he did not adorn.