Suspended Judgments: Essays on Books and SensationsPowys, John Cowper
History
Suspended Judgments: Essays on Books and Sensations
Powys, John Cowper
English literature -- History and criticism; French literature -- History and criticism
In America he is unfortunately far less well known than he deserves,
though an admirable translation of "A Night in the Luxembourg,"
published in Boston, and a charming and illuminating essay by Mr.
Robert Parker, have done something to remove this disgrace. As Mr.
Parker truly observes, the essence of de Gourmont's genius is to be
found in an insatiable curiosity which the absolute closing of any
vista of knowledge by the final and authoritative discovery of truth
would paralyse and petrify. He does not, as Mr. Parker justly says,
seek for truth with any hope or even any particular wish, to find it.
Truth found would be truth spoiled. He seeks it from sheer love of
the pursuit. In this respect he is precisely of the stuff out of which
great essayists are made. He is also placed in that special position
from which the illusive phenomena of this challenging world are
best caught, best analysed, and best interpreted, as we overtake them
in their dreamy passage from mystery to mystery.
The mere fact of his basic assumption that final truth in any
direction is undiscoverable--possibly undesirable also--sets him with
the wisest and sanest of all the most interesting writers. It sets him
"en rapport" with nature, too, in a very close and intimate affiliation.
It sets him at one spring at the very parting of the ways where all the
mysteries meet. Nature loves to reveal the most delicate side-lights
and the most illuminating glimpses to those who take this attitude.
Such disinterestedness brings its own reward.
To love truth for the sake of power or gain or pride or success is a
contemptible prostitution; to love it for its own sake is a tragic
foolishness. What is truth--in itself--that it should be loved? But to
love it for the pleasure of pursuing it, that is the temper dear to the
immortal gods. For this is indeed their own temper, the very way
they themselves--the shrewd undying ones--regard the dream
shadows of the great kaleidoscope.
It is a subtle and hard saying this, that truth must be played with
lightly to be freely won, but it has a profound and infinite
significance. Illuminating thoughts--thoughts with the bloom and
gloss and dew of life itself upon them--do not come to the person
who with puritanical austerity has grown lean in his wrestling. They
come when we have ceased to care whether they come or not. They
come when from the surface of the tide and under the indifferent
stars we are content to drift and listen, without distress, to the
humming waters.
As Goethe says, it is of little avail that we go forth with our screws
and our levers. Tugged at so and mauled, the magic of the universe
slips away from out of our very fingers. It is better to stroll
negligently along the highways of the world careless of everything
except "the pleasure which there is in life itself," and then, in
Goethe's own phrase, "Such thoughts will come of themselves and
cry like happy children--'Here we are.'"
Public-domain text, read in full here on John Shaqi.
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