Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
As we were liable, there, to meet M. Vinteuil, who held very strict
views on "the deplorable untidiness of young people, which seems to
be encouraged in these days," my mother would first see that there was
nothing out of order in my appearance, and then we would set out for
the church. It was in these 'Month of Mary' services that I can remember
having first fallen in love with hawthorn-blossom. The hawthorn was not
merely in the church, for there, holy ground as it was, we had all of us
a right of entry; but, arranged upon the altar itself, inseparable from
the mysteries in whose celebration it was playing a part, it thrust in
among the tapers and the sacred vessels its rows of branches, tied to
one another horizontally in a stiff, festal scheme of decoration; and
they were made more lovely still by the scalloped outline of the dark
leaves, over which were scattered in profusion, as over a bridal train,
little clusters of buds of a dazzling whiteness. Though I dared not look
at them save through my fingers, I could feel that the formal scheme
was composed of living things, and that it was Nature herself who, by
trimming the shape of the foliage, and by adding the crowning ornament
of those snowy buds, had made the decorations worthy of what was at
once a public rejoicing and a solemn mystery. Higher up on the altar,
a flower had opened here and there with a careless grace, holding so
unconcernedly, like a final, almost vaporous bedizening, its bunch of
stamens, slender as gossamer, which clouded the flower itself in a
white mist, that in following these with my eyes, in trying to imitate,
somewhere inside myself, the action of their blossoming, I imagined it
as a swift and thoughtless movement of the head with an enticing glance
from her contracted pupils, by a young girl in white, careless and
alive.
Public-domain text, read in full here on John Shaqi.
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