Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
M. Vinteuil had come in with his daughter and had sat down beside us.
He belonged to a good family, and had once been music-master to
my grandmother's sisters; so that when, after losing his wife and
inheriting some property, he had retired to the neighbourhood of
Combray, we used often to invite him to our house. But with his intense
prudishness he had given up coming, so as not to be obliged to meet
Swann, who had made what he called "a most unsuitable marriage, as
seems to be the fashion in these days." My mother, on hearing that he
'composed,' told him by way of a compliment that, when she came to see
him, he must play her something of his own. M. Vinteuil would have liked
nothing better, but he carried politeness and consideration for others
to so fine a point, always putting himself in their place, that he was
afraid of boring them, or of appearing egotistical, if he carried out,
or even allowed them to suspect what were his own desires. On the day
when my parents had gone to pay him a visit, I had accompanied them,
but they had allowed me to remain outside, and as M. Vinteuil's house,
Montjouvain, stood on a site actually hollowed out from a steep hill
covered with shrubs, among which I took cover, I had found myself on a
level with his drawing-room, upstairs, and only a few feet away from its
window. When a servant came in to tell him that my parents had arrived,
I had seen M. Vinteuil run to the piano and lay out a sheet of music
so as to catch the eye. But as soon as they entered the room he had
snatched it away and hidden it in a corner. He was afraid, no doubt, of
letting them suppose that he was glad to see them only because it gave
him a chance of playing them some of his compositions. And every time
that my mother, in the course of her visit, had returned to the subject
of his playing, he had hurriedly protested: "I cannot think who put that
on the piano; it is not the proper place for it at all," and had turned
the conversation aside to other topics, simply because those were of
less interest to himself.
His one and only passion was for his daughter, and she, with her
somewhat boyish appearance, looked so robust that it was hard to
restrain a smile when one saw the precautions her father used to take
for her health, with spare shawls always in readiness to wrap around
her shoulders. My grandmother had drawn our attention to the gentle,
delicate, almost timid expression which might often be caught flitting
across the face, dusted all over with freckles, of this otherwise stolid
child. When she had spoken, she would at once take her own words in the
sense in which her audience must have heard them, she would be alarmed
at the possibility of a misunderstanding, and one would see, in clear
outline, as though in a transparency, beneath the mannish face of the
'good sort' that she was, the finer features of a young woman in tears.
Public-domain text, read in full here on John Shaqi.
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