Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"You admit yourself that he appears at church there, quite simply
dressed, and all that; he hardly looks like a man of fashion." She added
that; in any event, even if, at the worst, he had been intentionally
rude, it was far better for us to pretend that we had noticed nothing.
And indeed my father himself, though more annoyed than any of us by the
attitude which Legrandin had adopted, may still have held in reserve a
final uncertainty as to its true meaning. It was like every attitude
or action which reveals a man's deep and hidden character; they bear
no relation to what he has previously said, and we cannot confirm our
suspicions by the culprit's evidence, for he will admit nothing; we are
reduced to the evidence of our own senses, and we ask ourselves, in the
face of this detached and incoherent fragment of recollection, whether
indeed our senses have not been the victims of a hallucination; with
the result that such attitudes, and these alone are of importance in
indicating character, are the most apt to leave us in perplexity.
I dined with Legrandin on the terrace of his house, by moonlight. "There
is a charming quality, is there not," he said to me, "in this silence;
for hearts that are wounded, as mine is, a novelist, whom you will read
in time to come, claims that there is no remedy but silence and shadow.
And see you this, my boy, there comes in all lives a time, towards which
you still have far to go, when the weary eyes can endure but one kind of
light, the light which a fine evening like this prepares for us in the
stillroom of darkness, when the ears can listen to no music save what
the moonlight breathes through the flute of silence."
I could hear what M. Legrandin was saying; like everything that he said,
it sounded attractive; but I was disturbed by the memory of a lady whom
I had seen recently for the first time; and thinking, now that I
knew that Legrandin was on friendly terms with several of the local
aristocracy, that perhaps she also was among his acquaintance, I
summoned up all my courage and said to him: "Tell me, sir, do you, by
any chance, know the lady--the ladies of Guermantes?" and I felt glad
because, in pronouncing the name, I had secured a sort of power over
it, by the mere act of drawing it up out of my dreams and giving it an
objective existence in the world of spoken things.
But, at the sound of the word Guermantes, I saw in the middle of each of
our friend's blue eyes a little brown dimple appear, as though they had
been stabbed by some invisible pin-point, while the rest of his pupils,
reacting from the shock, received and secreted the azure overflow.
His fringed eyelids darkened, and drooped. His mouth, which had been
stiffened and seared with bitter lines, was the first to recover, and
smiled, while his eyes still seemed full of pain, like the eyes of a
good-looking martyr whose body bristles with arrows.
Public-domain text, read in full here on John Shaqi.
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