Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"No, I do not know them," he said, but instead of uttering so simple a
piece of information, a reply in which there was so little that could
astonish me, in the natural and conversational tone which would have
befitted it, he recited it with a separate stress upon each word,
leaning forward, bowing his head, with at once the vehemence which a man
gives, so as to be believed, to a highly improbable statement (as though
the fact that he did not know the Guermantes could be due only to some
strange accident of fortune) and with the emphasis of a man who, finding
himself unable to keep silence about what is to him a painful situation,
chooses to proclaim it aloud, so as to convince his hearers that the
confession he is making is one that causes him no embarrassment, but is
easy, agreeable, spontaneous, that the situation in question, in this
case the absence of relations with the Guermantes family, might very
well have been not forced upon, but actually designed by Legrandin
himself, might arise from some family tradition, some moral principle or
mystical vow which expressly forbade his seeking their society.
"No," he resumed, explaining by his words the tone in which they were
uttered. "No, I do not know them; I have never wished to know them; I
have always made a point of preserving complete independence; at heart,
as you know, I am a bit of a Radical. People are always coming to me
about it, telling me I am mistaken in not going to Guermantes, that I
make myself seem ill-bred, uncivilised, an old bear. But that's not the
sort of reputation that can frighten me; it's too true! In my heart
of hearts I care for nothing in the world now but a few churches,
books--two or three, pictures--rather more, perhaps, and the light of
the moon when the fresh breeze of youth (such as yours) wafts to my
nostrils the scent of gardens whose flowers my old eyes are not sharp
enough, now, to distinguish."
Public-domain text, read in full here on John Shaqi.
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