Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
other, the purely material roads, at definite points on which they
were set down as the ideal view over a plain and the ideal scenery of a
river, were no more worth the trouble of looking at them than, to a keen
playgoer and lover of dramatic art, are the little streets which may
happen to run past the walls of a theatre. But, above all, I set between
them, far more distinctly than the mere distance in miles and yards and
inches which separated one from the other, the distance that there was
between the two parts of my brain in which I used to think of them, one
of those distances of the mind which time serves only to lengthen, which
separate things irremediably from one another, keeping them for ever
upon different planes. And this distinction was rendered still more
absolute because the habit we had of never going both ways on the same
day, or in the course of the same walk, but the 'Méséglise way' one time
and the 'Guermantes way' another, shut them up, so to speak, far apart
and unaware of each other's existence, in the sealed vessels--between
which there could be no communication--of separate afternoons.
When we had decided to go the 'Méséglise way' we would start (without
undue haste, and even if the sky were clouded over, since the walk was
not very long, and did not take us too far from home), as though we were
not going anywhere in particular, by the front-door of my aunt's house,
which opened on to the Rue du Saint-Esprit. We would be greeted by
the gunsmith, we would drop our letters into the box, we would tell
Théodore, from Françoise, as we passed, that she had run out of oil
or coffee, and we would leave the town by the road which ran along the
white fence of M. Swann's park. Before reaching it we would be met on
our way by the scent of his lilac-trees, come out to welcome strangers.
Out of the fresh little green hearts of their foliage the lilacs raised
inquisitively over the fence of the park their plumes of white or purple
blossom, which glowed, even in the shade, with the sunlight in which
they had been bathed. Some of them, half-concealed by the little
tiled house, called the Archers' Lodge, in which Swann's keeper lived,
overtopped its gothic gable with their rosy minaret. The nymphs of
spring would have seemed coarse and vulgar in comparison with these
young houris, who retained, in this French garden, the pure and vivid
colouring of a Persian miniature. Despite my desire to throw my arms
about their pliant forms and to draw down towards me the starry locks
that crowned their fragrant heads, we would pass them by without
stopping, for my parents had ceased to visit Tansonville since Swann's
marriage, and, so as not to appear to be looking into his park, we
would, instead of taking the road which ran beside its boundary and then
climbed straight up to the open fields, choose another way, which led in
the same direction, but circuitously, and brought us out rather too far
from home.
Public-domain text, read in full here on John Shaqi.
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