Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
One day my grandfather said to my 'father: "Don't you remember Swann's
telling us yesterday that his wife and daughter had gone off to Rheims
and that he was taking the opportunity of spending a day or two in
Paris? We might go along by the park, since the ladies are not at home;
that will make it a little shorter."
We stopped for a moment by the fence. Lilac-time was nearly over; some
of the trees still thrust aloft, in tall purple chandeliers, their tiny
balls of blossom, but in many places among their foliage where, only
a week before, they had still been breaking in waves of fragrant foam,
these were now spent and shrivelled and discoloured, a hollow scum, dry
and scentless. My grandfather pointed out to my father in what respects
the appearance of the place was still the same, and how far it had
altered since the walk that he had taken with old M. Swann, on the day
of his wife's death; and he seized the opportunity to tell us, once
again, the story of that walk.
In front of us a path bordered with nasturtiums rose in the full glare
of the sun towards the house. But to our right the park stretched away
into the distance, on level ground. Overshadowed by the tall trees which
stood close around it, an 'ornamental water' had been constructed by
Swann's parents but, even in his most artificial creations, nature is
the material upon which man has to work; certain spots will persist in
remaining surrounded by the vassals of their own especial sovereignty,
and will raise their immemorial standards among all the 'laid-out'
scenery of a park, just as they would have done far from any human
interference, in a solitude which must everywhere return to engulf
them, springing up out of the necessities of their exposed position, and
superimposing itself upon the work of man's hands. And so it was that,
at the foot of the path which led down to this artificial lake, there
might be seen, in its two tiers woven of trailing forget-me-nots below
and of periwinkle flowers above, the natural, delicate, blue garland
which binds the luminous, shadowed brows of water-nymphs; while the
iris, its swords sweeping every way in regal profusion, stretched out
over agrimony and water-growing king-cups the lilied sceptres, tattered
glories of yellow and purple, of the kingdom of the lake.
Public-domain text, read in full here on John Shaqi.
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