Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Our utter ignorance of the brilliant part which Swann was playing in
the world of fashion was, of course, due in part to his own reserve and
discretion, but also to the fact that middle-class people in those days
took what was almost a Hindu view of society, which they held to consist
of sharply defined castes, so that everyone at his birth found himself
called to that station in life which his parents already occupied,
and nothing, except the chance of a brilliant career or of a 'good'
marriage, could extract you from that station or admit you to a superior
caste. M. Swann, the father, had been a stockbroker; and so 'young
Swann' found himself immured for life in a caste where one's fortune, as
in a list of taxpayers, varied between such and such limits of income.
We knew the people with whom his father had associated, and so we knew
his own associates, the people with whom he was 'in a position to mix.'
If he knew other people besides, those were youthful acquaintances on
whom the old friends of the family, like my relatives, shut their eyes
all the more good-naturedly that Swann himself, after he was left an
orphan, still came most faithfully to see us; but we would have been
ready to wager that the people outside our acquaintance whom Swann knew
were of the sort to whom he would not have dared to raise his hat, had
he met them while he was walking with ourselves. Had there been such a
thing as a determination to apply to Swann a social coefficient peculiar
to himself, as distinct from all the other sons of other stockbrokers in
his father's position, his coefficient would have been rather lower than
theirs, because, leading a very simple life, and having always had
a craze for 'antiques' and pictures, he now lived and piled up his
collections in an old house which my grandmother longed to visit,
but which stood on the Quai d'Orléans, a neighbourhood in which my
great-aunt thought it most degrading to be quartered. "Are you really
a connoisseur, now?" she would say to him; "I ask for your own sake, as
you are likely to have 'fakes' palmed off on you by the dealers," for
she did not, in fact, endow him with any critical faculty, and had no
great opinion of the intelligence of a man who, in conversation, would
avoid serious topics and shewed a very dull preciseness, not only when
he gave us kitchen recipes, going into the most minute details, but
even when my grandmother's sisters were talking to him about art. When
challenged by them to give an opinion, or to express his admiration for
some picture, he would remain almost impolitely silent, and would then
make amends by furnishing (if he could) some fact or other about the
gallery in which the picture was hung, or the date at which it had been
painted. But as a rule he would content himself with trying to amuse
us by telling us the story of his latest adventure--and he would have
a fresh story for us on every occasion--with some one whom we ourselves
Public-domain text, read in full here on John Shaqi.
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