Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Passing by (on his left-hand side, and on what, although raised some way
above the street, was the ground floor of the house) Odette's bedroom,
which looked out to the back over another little street running parallel
with her own, he had climbed a staircase that went straight up between
dark painted walls, from which hung Oriental draperies, strings of
Turkish beads, and a huge Japanese lantern, suspended by a silken cord
from the ceiling (which last, however, so that her visitors should not
have to complain of the want of any of the latest comforts of
Western civilisation, was lighted by a gas-jet inside), to the two
drawing-rooms, large and small. These were entered through a narrow
lobby, the wall of which, chequered with the lozenges of a wooden
trellis such as you see on garden walls, only gilded, was lined from
end to end by a long rectangular box in which bloomed, as though in a
hothouse, a row of large chrysanthemums, at that time still
uncommon, though by no means so large as the mammoth blossoms which
horticulturists have since succeeded in making grow. Swann was
irritated, as a rule, by the sight of these flowers, which had then been
'the rage' in Paris for about a year, but it had pleased him, on this
occasion, to see the gloom of the little lobby shot with rays of pink
and gold and white by the fragrant petals of these ephemeral stars,
which kindle their cold fires in the murky atmosphere of winter
afternoons. Odette had received him in a tea-gown of pink silk, which
left her neck and arms bare. She had made him sit down beside her in one
of the many mysterious little retreats which had been contrived in the
various recesses of the room, sheltered by enormous palmtrees growing
out of pots of Chinese porcelain, or by screens upon which were fastened
photographs and fans and bows of ribbon. She had said at once, "You're
not comfortable there; wait a minute, I'll arrange things for you," and
with a titter of laughter, the complacency of which implied that
some little invention of her own was being brought into play, she
had installed behind his head and beneath his feet great cushions of
Japanese silk, which she pummelled and buffeted as though determined to
lavish on him all her riches, and regardless of their value. But when
her footman began to come into the room, bringing, one after another,
the innumerable lamps which (contained, mostly, in porcelain vases)
burned singly or in pairs upon the different pieces of furniture as upon
so many altars, rekindling in the twilight, already almost nocturnal, of
this winter afternoon, the glow of a sunset more lasting, more roseate,
more human--filling, perhaps, with romantic wonder the thoughts of
some solitary lover, wandering in the street below and brought to a
standstill before the mystery of the human presence which those lighted
windows at once revealed and screened from sight--she had kept an eye
sharply fixed on the servant, to see whether he set each of the lamps
Public-domain text, read in full here on John Shaqi.
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