Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
down in the place appointed it. She felt that, if he were to put
even one of them where it ought not to be, the general effect of her
drawing-room would be destroyed, and that her portrait, which rested
upon a sloping easel draped with plush, would not catch the light. And
so, with feverish impatience, she followed the man's clumsy movements,
scolding him severely when he passed too close to a pair of beaupots,
which she made a point of always tidying herself, in case the plants
should be knocked over--and went across to them now to make sure that he
had not broken off any of the flowers. She found something 'quaint' in
the shape of each of her Chinese ornaments, and also in her orchids, the
cattleyas especially (these being, with chrysanthemums, her favourite
flowers), because they had the supreme merit of not looking in the least
like other flowers, but of being made, apparently, out of scraps of silk
or satin. "It looks just as though it had been cut out of the lining
of my cloak," she said to Swann, pointing to an orchid, with a shade of
respect in her voice for so 'smart' a flower, for this distinguished,
unexpected sister whom nature had suddenly bestowed upon her, so far
removed from her in the scale of existence, and yet so delicate, so
refined, so much more worthy than many real women of admission to
her drawing-room. As she drew his attention, now to the fiery-tongued
dragons painted upon a bowl or stitched upon a fire-screen, now to a
fleshy cluster of orchids, now to a dromedary of inlaid silver-work with
ruby eyes, which kept company, upon her mantelpiece, with a toad carved
in jade, she would pretend now to be shrinking from the ferocity of the
monsters or laughing at their absurdity, now blushing at the indecency
of the flowers, now carried away by an irresistible desire to run across
and kiss the toad and dromedary, calling them 'darlings.' And these
affectations were in sharp contrast to the sincerity of some of her
attitudes, notably her devotion to Our Lady of the Laghetto who had
once, when Odette was living at Nice, cured her of a mortal illness, and
whose medal, in gold, she always carried on her person, attributing
to it unlimited powers. She poured out Swann's tea, inquired "Lemon
or cream?" and, on his answering "Cream, please," went on, smiling, "A
cloud!" And as he pronounced it excellent, "You see, I know just how you
like it." This tea had indeed seemed to Swann, just as it seemed to
her, something precious, and love is so far obliged to find some
justification for itself, some guarantee of its duration in pleasures
which, on the contrary, would have no existence apart from love and must
cease with its passing, that when he left her, at seven o'clock, to go
and dress for the evening, all the way home, sitting bolt upright in
his brougham, unable to repress the happiness with which the afternoon's
adventure had filled him, he kept on repeating to himself: "What fun
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account