Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
But he, chilled a little by her answer, perhaps, also, to bear out the
pretence that he had been sincere in adopting the stratagem, or even
because he was already beginning to believe that he had been, exclaimed:
"No, no; you mustn't speak. You will be out of breath again. You can
easily answer in signs; I shall understand. Really and truly now, you
don't mind my doing this? Look, there is a little--I think it must be
pollen, spilt over your dress,--may I brush it off with my hand? That's
not too hard; I'm not hurting you, am I? I'm tickling you, perhaps, a
little; but I don't want to touch the velvet in case I rub it the wrong
way. But, don't you see, I really had to fasten the flowers; they would
have fallen out if I hadn't. Like that, now; if I just push them a
little farther down.... Seriously, I'm not annoying you, am I? And if
I just sniff them to see whether they've really lost all their scent? I
don't believe I ever smelt any before; may I? Tell the truth, now."
Still smiling, she shrugged her shoulders ever so slightly, as who
should say, "You're quite mad; you know very well that I like it."
He slipped his other hand upwards along Odette's cheek; she fixed her
eyes on him with that languishing and solemn air which marks the women
of the old Florentine's paintings, in whose faces he had found the type
of hers; swimming at the brink of her fringed lids, her brilliant eyes,
large and finely drawn as theirs, seemed on the verge of breaking from
her face and rolling down her cheeks like two great tears. She bent her
neck, as all their necks may be seen to bend, in the pagan scenes as
well as in the scriptural. And although her attitude was, doubtless,
habitual and instinctive, one which she knew to be appropriate to such
moments, and was careful not to forget to assume, she seemed to need all
her strength to hold her face back, as though some invisible force
were drawing it down towards Swann's. And Swann it was who, before she
allowed her face, as though despite her efforts, to fall upon his lips,
held it back for a moment longer, at a little distance between his
hands. He had intended to leave time for her mind to overtake her body's
movements, to recognise the dream which she had so long cherished and to
assist at its realisation, like a mother invited as a spectator when
a prize is given to the child whom she has reared and loves. Perhaps,
moreover, Swann himself was fixing upon these features of an Odette not
yet possessed, not even kissed by him, on whom he was looking now for
the last time, that comprehensive gaze with which, on the day of his
departure, a traveller strives to bear away with him in memory the view
of a country to which he may never return.
Public-domain text, read in full here on John Shaqi.
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