Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
But he was so shy in approaching her that, after this evening which
had begun by his arranging her cattleyas and had ended in her complete
surrender, whether from fear of chilling her, or from reluctance to
appear, even retrospectively, to have lied, or perhaps because he lacked
the audacity to formulate a more urgent requirement than this (which
could always be repeated, since it had not annoyed her on the first
occasion), he resorted to the same pretext on the following days. If
she had any cattleyas pinned to her bodice, he would say: "It is most
unfortunate; the cattleyas don't need tucking in this evening; they've
not been disturbed as they were the other night; I think, though, that
this one isn't quite straight. May I see if they have more scent than
the others?" Or else, if she had none: "Oh! no cattleyas this evening;
then there's nothing for me to arrange." So that for some time there
was no change from the procedure which he had followed on that first
evening, when he had started by touching her throat, with his fingers
first and then with his lips, but their caresses began invariably with
this modest exploration. And long afterwards, when the arrangement (or,
rather, the ritual pretence of an arrangement) of her cattleyas had
quite fallen into desuetude, the metaphor "Do a cattleya," transmuted
into a simple verb which they would employ without a thought of its
original meaning when they wished to refer to the act of physical
possession (in which, paradoxically, the possessor possesses nothing),
survived to commemorate in their vocabulary the long forgotten custom
from which it sprang. And yet possibly this particular manner of saying
"to make love" had not the precise significance of its synonyms.
However disillusioned we may be about women, however we may regard
the possession of even the most divergent types as an invariable
and monotonous experience, every detail of which is known and can be
described in advance, it still becomes a fresh and stimulating pleasure
if the women concerned be--or be thought to be--so difficult as to
oblige us to base our attack upon some unrehearsed incident in our
relations with them, as was originally for Swann the arrangement of the
cattleyas. He trembled as he hoped, that evening, (but Odette, he told
himself, if she were deceived by his stratagem, could not guess his
intention) that it was the possession of this woman that would emerge
for him from their large and richly coloured petals; and the pleasure
which he already felt, and which Odette tolerated, he thought, perhaps
only because she was not yet aware of it herself, seemed to him for that
reason--as it might have seemed to the first man when he enjoyed it amid
the flowers of the earthly paradise--a pleasure which had never before
existed, which he was striving now to create, a pleasure--and the
special name which he was to give to it preserved its identity--entirely
individual and new.
Public-domain text, read in full here on John Shaqi.
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